In Arthur Miller's "View on the Bridge" "View from the Bridge", all of them are important, Eddie Carbone played a leading role and is a port worker at Brooklyn Pier in New York. He tried to maintain the status of "man" at home. He is very hostile to Rodolfo as he thinks he is gay. Marco knows that Eddie has this feeling against Rodolfo, but Eddie is not happy that this feeling for this family has. This caused Marco's attack through the script and brought various conflicts between him and Eddie. Marco showed his manhood toward Eddie.
Masculinity is a popular theme by view from Arthur Miller's bridge. Four male heroes in the play, Eddie, Rodolfo, Marco, Alfieri; each plays a different role and a different type of male. Miller shows masculinity and manhood in drama. Men are confused and seem to be causing problems in their personality life. The behavior of each personality is influenced by the power of deterministic confrontation, each event and circumstance is the inevitable result of the previous situation, and free will. The male character "from the bridge to the bridge" did not act, but it can be said that it caused an action.
The reason why Mark and Rudolph came from Arthur Miller of America from the bridge, the drama writer Arthur Miller was not classical but saw the bridge from the bridge presented to the audience as a tragedy. I still use the famous elements of classical tragedies, but then it was placed in an American dock where illegal immigration is not uncommon. For example, before the famous Christopher Columbus Expedition and Ferdinand Magellan, success and success were the first explorers that inspired future travelers to explore the unknown Eastern Hemisphere world. . From the 13th century to the 14th century, Europe needed to intervene to bring life to the boring community throughout the African continent. Marco Polo brings this and brings more contribution to his trip around the world.
When people went to the theater to find Catharsis, this must have been felt in the Greek tragedy. Ivo van Hove held at Lyceum Theater on Thursday night makes Arthur Miller's "Bridge from the Bridge" memorable. The Belgian director Van Hoff became the most famous representative of the most famous minimalism at the modern theater, and in 1956 he robbed the mirror from the dramatic drama of a self-exploding Brooklyn jetty. And he and his actor were led by an amazing Mark Strong and discovered pure primitive powers under the drama era traps and kitchen pouring naturalism. On Mirror 's birthday opportunity, classic tragedies and his lofty ideals of ordinary people can not be so organic.