Art vs. Classical Film in the Cinema

Discussions have been on art movies and classical films for a long time. The mainstream Hollywood classic and art film are often seen as the reverse. In one respect, the style of the movie is not noticeable, but others try to concentrate on visually centering on the unification of the story. In the film "2001: Space Roaming" directed by Stanley Kubrick, we found that this movie can be classified as an art movie. On the other hand, it can also be regarded as a classic movie.

Filmologist David Bodwell outlined the academic definition of "art movie" in an article entitled "Artistic Film as a Mode of Practice of Movies" in 1979. Contrast The mainstream Hollywood style movie uses a clear narrative format to organize the movie into a series of "causal events occurring in space-time and space", each of which is headed for the goal. The mainstream film conspiracy is driven by a well-defined hero filled with well-defined personality, and is enhanced by "question-and-answer logic, problem solving rules, deadline conspiring structure". Then, this movie features a soundtrack with fast tempo music, encouraging appropriate audience feelings, and tight and seamless editing.

Through analysis of internal characteristics of graduate students, this paper will express that it includes attributes of art film as well as classical Hollywood movie attributes. - Introduction As a community, scholars are increasingly accepting the use of public, online, and journal style writing (called blogging) as an effective teaching method for classrooms.

In David Bordwell's article "Art movie as a mode of movie practice" he insists that "art movies define the practice of classic Hollywood movies from the standpoint of the structure of the story and movie style" There. In the movie "Despise" (1963), Bordwells claims to provide an interesting movie. In the movie, the story structure and movie style despise the classic Hollywood movie practice. Discount the use of unique cut technique, audio sampling, narrative style, lens combination, camera movement representing the art house type

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I wrote this movie while reviewing Godard's classic 1963 film "Despise". I have seen this movie over and over again, but the effect is always the same. I feel direct aesthetic ecstasy - I was shipped. Defiance - Godard's love / hatred for the film industry - is a strict and moral movie, bitter, bitter, beautiful. Each shot has a combination of frame, color, soundtrack, performance, place etc - despise the soul for the speech; shock the soul with its vitality