Art of Photography

Last summer I saw a picture taken by my family on a vacation at Block Island. I remember the time when I accepted it. Hiking with my mum and my aunt. I saw dusty dirt roads sinking on both sides - proof that the tires were paved everyday. I heard that the leaves and rocks under the sneakers are tight. The collected sand and mud were brown. I think about myself and remember seeing the ocean far away. "Hey - it will be a nice picture." I remember laughing a lot since I was one of them.

At the same time, Instagram content is centered around the art of photography, but at the same time it emphasizes a very cool, street, connected, or luxurious lifestyle that combines photography with the life of a photographer I have never seen before doing. Please think about what we saw in hip-hop. Our closest thing is Richard Avedon and David La Chapelle, which are known for their style and celebrity access. Nevertheless, their own personal lives are not as obvious as today's photographers, and their success and acquisition are not used in such outwardly appealing, brandy and persuasive ways Hmm. Their wonderful lifestyle is not the opposite, it is like the result of all the hard work.

The photograph is an art form, but fashion photography is a further form of aesthetic art. Fashion photography has a long history. There are beautiful dresses for all ages. As Massoud Aini said, the existence of fashion photography is to sell clothing ideas and to capture beautiful models wearing those beautiful clothes. Since then, this form of photography has made great progress.

This is an intellectual endeavor. In photography it is as important as other art forms. In painting, if you do not put intelligence into something, the art form actually changes - it is called "an illustration." In the photograph, this is an inquiry between art and craft. People who try to use photographic media to express their own ideas often have difficulty in "rules of photography" in the same way. John Bardessari's most famous work is after the fight between intellectual photography and physical photography. His work discusses it directly and is challenging what the picture is, how we see it, and what to train. The art period (art and art) of this self-referencing art is a large-scale movement in the 1960's and 1970's, especially when intellectual discussions were held on the art itself.