ART IN REVIEW; Adam Fuss -- 'My Ghost'

Adam Hus said that one of the challenges that photographers are not interested in taking the endless complex photographs of the world is to make the physical nature and processing of the media an exciting part of the final image It seems to be recognizing.

As a faithful resident of the studio, Mr. mainly placed photographs by placing items on the photographic paper and exposing the arrangements to light. These include water, babies (and water and babies), dead rabbits and their internal organs, most of eggs, liver of flowers and beef. He suspended the paper vertically and caught the human outline and the soft shape of the flying bird. If you do not do that, I do not do any of his pictures. One of their accomplishments is to make primitive direct, especially amazingly contemporary, the intrinsic miracle of photography - its literal translation and the ability to transform perfectly.

In the eighth solo exhibition of Mr. Flowserve held in New York, he again appeared but it was not that funny direction. It may be consistent with the show 's creepy title that he is outrageous by eliminating all colors, but it brings obvious bluntness to the case.

His resurrection of silver photography technology is oddly smooth, but blurred images on the mirror indicate that the past outdated practices can not be regained and can only be attacked. A similar problem bothered a series of negative photographs of racing chaplain dress. There, embroidery, seams and hem were written with white lines on black paper. And it reminds me of the picture of the death of the 19th century. A photographic image capturing the contours of a small herd is very close to the painting of rose breaker, which is already sentimental.

The most impressive work is a series of large-scale photographic works, in which Foss captures the eruption of smoke, which is the energy released by Mr. Foss, making almost unimportant nearly robustness. These images reminded me of either the early tradition of spiritual photography, Van Gogh poplar, or traditional Chinese landscape painting, not to mention the power consumption of fire. Most importantly, they provide Mr. Fuss's advantages in a new format: coupled with pure control opportunities and excellent control, a stunning visual luxury

His works are drawn on several monographs, including Adam Fuss and My Ghost. Madrid Fundación Mapfre made a comprehensive survey of Fuss's work in January 2011. His works are also included in the Museum of Modern Art, Metropolitan Museum of Art, Whitney Museum of Art and San Francisco Museum of Art. Contemporary art, and many others

Since 1982, Fuss lived in New York. His works that are widely exhibited are exhibited in many American and international collections including New York Metropolitan Museum of Art, Museum of Modern Art, New York, Whitney Museum of Art, Los Angeles County Museum of Art, London Victoria & Albert. A museum

Adam Fuss was born in England in 1961. His father made a jacket for women and his mother was an Australian fashion model. Fuss's father had a stroke in 1963 and was careful until his death in 1968. Fuss lived in Australia with his mother from 1967 to 1970 and lived in Australia from 1971 to 1973. In 1980, he returned to Australia and began his apprenticeship of photography. At Ogilvy & Mather Agency. In 1982, he moved to New York and accepted a series of strange jobs, including art café waiters and parties at the Metropolitan Museum of Art. In 1984 Fuss began producing a series of pinhole camera images and exhibited works at Massimo Audiello Gallery in 1985. Since then, his work has been exhibited at major museums and galleries all over the world. He is known for his reputation for unusual composition and composition.