Art History: Traditional and Contemporary

It all started when we were born and was not really thinking about it. We do not recognize the importance of the environment until someone points out their importance and the impact on our thinking and behavior. We did not truly understand it, and we did not want to ask for information on its existence until we think about it in our head, whether we have an impulse or not. Oh my first experience when our eyes stimulated our surroundings evoked emotions. When I am keenly aware that we have never been used until someone has influential motivation, we see the possibility to create a medium called "art".

Originally from Los Angeles, New York visual artist Kehinde Wiley puts himself in the portrait traditional art history. As descendants of a series of portrait painters including Reynolds, Gainsborough, Titian, Anger etc, Willy is a hero, a powerful majestic and sublime sign and a visual rhetoric in their city, a combination of black and brown in their city. In the representative. The man found it all over the world. By applying the visual vocabulary and the custom of glory, history, wealth, and fame to the topic extracted from the structure of the city, his painting theme and style reference is juxtaposed flip, confusion and provocative I will spread confusion to him. In the image.

Derek Conrad Murray is an interdisciplinary theorist specializing in the history, theory and criticism of contemporary art. He has a doctor 's degree. Art history of Cornell University. Murray is currently an associate professor of art and visual culture at the University of California at Santa Cruz. His work "About the Difference: The Politics of Contemporary African American Art and Perception" is part of the "Reconsidering Art History" (Editors Amelia Jones and Marsha Mesquimon) as part of the series by the University of Manchester Press 2015 It will be published in. Murray will also publish his second book. It is "Post Black Art Comics: African American Identity After Reconsidering Citizenship" to be published soon. Toris (UK)

Richard J. Powell is Professor John Spencer Bassett of the art and art history of Duke University. He teaches American art courses, foreign art in Africa, contemporary visual research, and writes a wide range of topics ranging from primitiveism to postmodernism. His work includes "African-American Art: Harlem Renaissance", "Civil Rights Movement", "Overseas" (Mecklenburg, Virginia State), "Cutting People: Forming Black Portraits", "Black Art: Cultural history "and others. . From 2007 to 2010 he was an editor of The Art Bulletin.