Art History: 14th Century I, Art History: 15th Century: Northern Europe and the Iberian Peninsula I, 15th Century: Italy II

Due to the effect of light diffusion in the atmosphere, the outline of a distant object becomes thinner and the color becomes thinner

All of the above (he painted with high contrast, he illuminates the numbers from the outside, he is depicting Jesus with a brighter color than other numbers) (???)

They provided a large amount of funds for artists to build buildings and to build paintings and sculptures for the internal community.

They provided a large amount of funds for artists to build buildings and to build paintings and sculptures for the internal community.

In the Renaissance era, money and art were closely related. Artists rely entirely on customers and customers need money to develop artistic talent. The expansion of trade to Asia and Europe brought wealth to Italy in the 14th, 15th, and 16th centuries. Tyrole 's silver mining has increased the flow of funds. Luxury goods from the Eastern world were brought back during the Crusades and increased the prosperity of Genoa and Venice. In contrast to the Middle Ages, Renaissance scholars are most interested in Latin and Greek literature, history restoration and research, when Latin scholars have devoted mostly to Greek and Arabic works in natural science, philosophy and mathematics I had it. And the text of the speech.

Renaissance art, painting, sculpture, architecture, music and literature were produced in Europe in the 14th, 15th, and 16th centuries, influenced by natural consciousness, resurgence of classical learning, and more personal human outlook It was. As the French Renaissance implied, the scholar no longer believes that the Renaissance showed a sudden breakthrough in medieval value, ie, "regeneration". On the contrary, the historical data suggests that interest in nature, humanities, and individualism emerged from the 15th century to the 16th century, dominated Italy and increased social and economic changes such as secularization of daily life It suggests. Reasonable financial credit economy and significantly increased social liquidity

The art of portrait of Italian Renaissance played the second violin of historical (Istrian) painting during Trentent (14th century), Quattrocent (15th century), and early Cinquecent (16th century). The main focus of the Renaissance art in this era was the depiction of religious, secular and mythical scenes. There, the information was best suited for public exhibitions in huge mural paintings and monumental sculptures. Still, some old master (Leonardo da Vinci, Michelangelo etc.) successfully inserted a portrait (and self-portrait) into a large mural.