Art and the Human Psyche

Life is change, progress, and evolution of the soul. Everyone explains their life experience in various ways, and these explanations can lead to personal growth and maturity. This concept of progress dominates Emerson's work and interprets human beings as being defective but pursuing completion. Emerson believes that people can not decide only what they like or despise. In Emerson's opinion, "Individual is the best art critic." According to Emerson 's words and my own personal experience, I think people can change people in some way, but I think we can maintain their identity in the global community.

Art is a way to express the soul. As we can see from our own artistic experiences, the human mind is full of complexity and contradiction. It goes beyond the concept we are using to understand it, including political concepts. This makes art "an organization" - an innocent heart formed by artists to figure out its complexity. If it always tries to determine its own form of expression, what does art look like? Imagine Hamlet more clearly watching that power wants more denial of power or that power is more closely intertwined with corruption and evil Please give me. The big psychological impact of the drama will be lost and replaced with a course that is easy to digest. At the end of the script, Hamlet / Shakespeare asked Horatio / the audience "to talk to me". Through the psychology, it also reveals social reality, not by ending with a condemnation of a corrupt society driven by supernaturality, but by the importance of representing an individual's mind.

Art is not a mind, language, philosophical concept. Art is the creative manipulation of substances (paint, celluloid) and things that are not important (language, sound) to produce real things. "Art is a real thing," an art historian told me. "You do not need theory." The real insight about art and how it works comes from direct research on art. They are eager to create a new academic field that seems strict in the 1970s, and film researchers are blocking their fields from a fashionable point of view. Even though they advertise "specialty of drama" and fill the importance of screenplay and language in media research, scholars use language weights and metaphor of "movie language" to make their subjects worse. Film students can experience real art at least other than reading; students from other fields written since the 1970's (such as female studies)