Arguments of Plato in The Republic and Aristotle in Poetics

Imitation (imitation) affects Plato and Aristotle. Explain the different features. Mimesis is "imitation of the real world in art and literature", a particularly obvious form of ancient Greek arts governance. Its exact interpretation varies, but it is most often used to explain the whole of artistic creation. Many scholars, such as Sigmund Freud, Philip Sydney, Adam Smith, are considering the value and necessity of imitation, but this article will focus on Plato's poetry in the Republic and Aristotle. The discussion presented is trying to prove those different characteristics. Imitation (imitation) and its contents

Imitation / expression / imitation, self presentation. The philosophical concept of Plato, Aristotle in the Republic is discussed in poetry and others. For Plato and Aristotle, this is an important feature of poetry, but they have different opinions about it. For Plato, this is a denial. Because a poem can neither describe truth nor teach morality. It is irrational - it is based on inspiration and knowledge. Therefore, poetry should be banned as it only keeps us away from the truth. Aristotle believes that this imitation is positive, as it is a passive copy, not a passive copy, but a creative act to express the universal truth about nature.

It is very strange to read Aristotle's poetry and Republic's book X in Plato. As a member of the Plato Institute, people will think Aristotle will follow his educator's ideals and teachings. Plato is said to have had a major impact on Aristotle's life and work. So why Aristotle and Plato have different views on reality? The answer is very simple. Aristotle believes to imitate art, but Plato believes imitation theory. Imitation is defined as aspects of literature and art, in particular to imitate or express a sensitive world in human behavior. In Aristotle's poem he focused on recreating actions through tragedy. He pointed out that an important element of this kind of entertainment is considered to be. He thinks as thought and analysis, usually it is defined in the form of a chorus: "... some parts in the drama ... sang" (521)