Architectural Forms in the Mannerist Period

Baldassare Peruzzi (1481 - 1536) is an architect working in Rome and his work is a bridge between the High Renaissance and Orthodox. His 1509 Villa Farnesina is a very regular monument consisting of two equal stories, that bay is represented by the Pilast order. Perlizzi's most famous work is Alecolone in Piazza Massimo, Rome. The characteristic of this building is that the facade is gently curved in a bent street. There is a dark central pouch parallel to the street on the first floor, but it is not a loggia that opened, it is a semi-sealed space.

In the nineteenth century Renaissance style architecture became popular, not only realized the original shape according to the geographical location but also all the initial shapes can be combined according to the requirements of architects and customers, not by geography and culture It was. If this is not enough to cause confusion, the new Neo Renaissance often borrows elements of architecture from the later stylistic era, even from the later Baroque period in many cases. Mangeism and Baroque style are two opposite architectural styles. Baroque at Palazzo del Te and Wurzburg Residenz is an example

Mangeism is the name of European art style. 1520 - 1600 Maneringism appeared after the High Renaissance and before Baroque. However, at this time, not all artists are regarded as extravagant artists, but scholars talk about whether the doctrine should be regarded as a highly independent movement of the Renaissance or as a high-level stylistic stage of the Renaissance There is room for discussion. As there are many differences between high Renaissance and style style, the doctrine will be regarded as an independent art movement.

El Greco in Spain is representative of the stylist's painting style. A good example of his work is the confession of St. Petersburg at the San Diego Art Museum. Please note the twisted shape used to display the details of the arm. The shape is extended from the Renaissance ratio. In addition, this figure is more emotional than the previous rigid and stylized Renaissance style. The color is more sour; the blues mix with the shade of the skin and the gray for the face and other parts of the body. The background is a very dark color, but there is not so much contrast between the light and dark of the image seen in the late Baroque era.