Approaching Theatre

In the first prelude, three people (theater director, poet, actor) discussed the purpose of the theater. The director wishes to gain income by approaching the theater from a financial point of view and by rejoicing the audience; the actor seeks glory for the actor 's reputation, and the poet enthusiastic to create works of meaningful content is. Many works later drew a connection between the characters using the same actor in the drama.

Vsevolod Meyerhold was one of the actors of the original Moscow art museum and played Tussenbach of Seagull Constantine and Three Sisters. In 1905, Stanislavsky felt the difficulty of approaching an unrealistic play through the method of acting at the Moscow Arts Theater and asked Meyer Hold to open a studio to investigate unrealistic way of acting. In a series of multimedia experiments, Meyerhold's work in the studio seems to be more imaginative than discipline involving painters, poets, musicians, actors. Prior to the revolution, he was the director of the Royal Theater of Petrograd (now St. Petersburg). After the revolution, he became the head of the Soviet theater organization. In these two areas, Meyerhold continues his experimental work at the Moscow Art Museum.

Meyhold's Molière 's performance of Dom Juan (1910) is an important feature of the theater's "renormalization" process. Meyhold reproduced many features of the early Baroque theater using his historical research. He was built on the tunnel of the orchestra, spreading the area of ​​the stage about 20 feet forward. He abolished the curtain, it was necessary for the illusion of the drama, and made a series of changes to the audience. Hundreds of candles were lit on the stage, and the auditorium was lit during the performance. Its purpose is not only to watch the game, but also to extend the viewing experience. Disposition of the auditorium and the environment where people arrive at the theater are part of experience. Meyerhold believes that when they arrive at the theater, bright light stimulates the festive atmosphere of the audience, thereby enabling actors to enjoy the reaction equally.