Anti-Colonialism in Shakespeare´s The Tempest Play

Shakespeare's Anti-Colonialism William Shakespeare interwoves the story featuring anti-colonialism through a drama like a stormy storm. Prospero, the Duke of Milan, abolished, took the idea of ​​colonialism and regarded his colleague as a slave without rights. The abused characters of Prospero include the sons of Ariel - spiritual creatures, Ferdinand-Naples and Caliban-Sycorax. Prospero has many magical powers to oppress his compatriots.

"Storm" occupies a unique and unique position in Shakespeare's 37 theaters. This is the most complicated and multifaceted work in making Shakespeare's work in 1611. In "Arashi" Shakespeare reflected one of the most important historical events of the time, the policy of colonial expansion. "Arashi" also applies to Shakespeare's last work "Berlikley", "Tsimbelin", "Winter Story", but because of its style and general characteristics, the drama belongs to the type of tragedy. On November 1, 1611, the Shakespeare Theater performed "Arashi" at the theater. This is the first performance of the theater written long ago. In May 1613, when Prince Elizabeth, the daughter of James 1, married Palatoin Friedrich, she once again acted as a "storm" in the courtroom.

Shakespeare's Anti-Colonialism William Shakespeare interwoves the story featuring anti-colonialism through a drama like a stormy storm. Prospero, the Duke of Milan, abolished, took the idea of ​​colonialism and regarded his colleague as a slave without rights. The abused characters of Prospero include the sons of Ariel - spiritual creatures, Ferdinand-Naples and Caliban-Sycorax. Prospero has many magical powers to oppress his compatriots.

William · Shakespeare 's "Storm" is one of the plays after Shakespeare, presumed to have been written in 1610, and the screenplay focuses on the subject of power. Power appears in "storms" in a variety of ways, including the power of love, the general desire of men for power, the power of the teacher to slaves, and exploring the power of magic and illusion. Although this is clear, the critical interpretation of the authoritarian has changed over time, and it was necessary to consider whether the power of the drama is good or bad. Shakespeare presents power in various ways, through the character of Prospero, which seems to have mostly power. Over time, using this historical background and critical interpretive changes can explore this topic deeply, and how Shakespeare presents the power theme in 'Arashi' I can understand it more clearly.