Ando in the perspective of critical regionalism: Concrete Resistance

Throughout this article, we explore the definition and background of major regionalism evolution. In addition, through this article, a major review of the argument that the architectural approach of "Ardo" is "important regionalism" is done. The definition of critical regionalism is a direct architectural approach aimed at opposing the lack of land and the obvious lack of identity and identity in modern architecture using the geography of the building.

From the late 1970s to the early 1980s, Ando Tadao's architecture and theory explored the concept of critical regionalism, the concept of promoting local culture or national culture in architecture. Ando 's interpretation of this is reflected in his idea of ​​reaffirming the Japanese house as nature, believing that it was lost by modernist architecture. His first project was a small urban house with a closed courtyard (like Azuma House in Osaka in 1976). His architecture is characterized by the use of concrete, but for him he uses light and time for his work, and its interaction with other materials is very important. His concept of natural integration can be successfully transformed into a large project like Tokkumu in Hokkaido like Rokkō Housing 1 (1983) (the steep slope of Rokkō Mountain) and Water Church (1988)

In this paper, we will further discuss the role of Washiji to make Ando "main regionalist". By briefly discussing the concept of "critical regionalism" and its importance in contemporary architectural discussion and its criticism, this paper will further consider the role of regionalism in Japanese culture. Physics Like other cultural traditions, Japanese aesthetic traditions contain different hobbies and art. They range from the ordinary of the ninth theater to the luxury of the Kabuki Theater, the seriousness of the monochrome brush ink painting, the richness of the gold plated picture, the simplicity and simplicity of the tea house, and the dignity of the castle.

Tom Ford contains many forms of art and architecture. Susan 's house is a Japanese architect Tadao Ando' s house. The house is very beautiful. The details are easy to see concretely by Ando, ​​and Tom Ford can see the details of the house overflowing wealth and class. When Susan who played Amy Adams for the first time entered her house, her headlight reflected the door and made her blind. Criticism of art and exotic architecture, and a beautiful way to imply her character, blindness, body, and symbolism by wealth