Analysis of Three Scenes in Raging Bull

Analysis of Angry Bull I analyzed two scenes of the movie "The Angry Bull". There are many smart technologies to use. In these two scenes, we look for five elements of editing, lighting, color. The camera uses sounds and scenes. Analyze the scene as much as possible and explain its meaning when possible. The first scene of scene 1 is actually a movie introduction. In this scene, editing and camera movement are not performed.

Martin Scorsese made a movie, so everyone is seeking angry bulls. We saw it with me, DP Larkin Seiple (Swiss soldier, police car), but I said "You know that you do not make angry bulls. Everyone likes this movie.You will not get leverage based on your identity unless you are an important person.It is difficult to quantify your talent, but the pleasure of writing a script Is that you enjoy 10 years of vacation and you can return to the game soon by writing something people want.The proposal is to keep writing, it may be next

How helpless I am. When the lightning soared up, I was surprised to realize that I imagined this event based on the beloved bullfighter and bull scene I have seen over the years. One snout of the triangular bull that sniffs, smokes, walks on the ground, then throws himself to a light gray soft bullfighter with a green trajectory, participating in the explosion of TNT. I became a victim of the Warner Brothers Edition and prepared for the reality. My artistic vision is concentrated again in the top seats where the audience are scattered. I want more colors. How do I owe it? The time was delayed. We are approaching the end of the third iteration, "When I see my picture began to look like a real artwork, it is me! Hamming is happening.

Angry bulls are mainly black and white, and Scorsese 's discreet artistic decision is very effective. Boxing scenes in the movie look even stronger, as there is no color dispersion and the audience pay more attention to slight changes in lighting, sound, and even black shadows. In these scenes, Scorsese showed proficiency in his suppressive art. For example, in the last boxing scene of the movie, we first showed how the water in the sponge used to scrub La Motta is transparent but dark. You do not have to look at boxer's wounds and you do not need to see red to know that he is bleeding. In addition, at some point in the sequence, Scorsese cuts off all sounds and uses slow motion. This means less movement, creating a drama, which attracts viewers with more stories. Flashlight imitates the stage reporter, making it not clearly visible, but also helps to enhance the atmosphere.