Analysis of the Society of the Spectacle by Guy Debord

The report of this book is about the landscape society of Debord. The theory is that our society is image-driven, shaping and promoting our consumer society. The images we see can be viewed in a variety of ways, not just banner ads and logos, but also advertisements, television and other media. Consumers went to see the image of what they purchased, but the reality of things and the world was what they meant. Regardless of whether people have money, they can earn credit and pay with something they do not have.

Foster's "traumatic discourse" is a further development of the concept of "landscape" of Gayde Pod in "landscape society". Perhaps one of the most prominent features of Debord's text is that "the landscape is where the capital gathers as an image." The reaction of temptation is shocked and can accept what is considered despicable

At The Spectra of the Spectacle (1967), Guy Debord proposed "Le Spectacular" theory - a combination of advanced capitalism, mass media, and government systems that can utilize these elements. Landscape transforms interpersonal relationships into an embodied relationship between images, and vice versa; typical pictures are television and that people express passively as active promoters of their beliefs I will forgive you. This sight is the form taken by society when art is commercialized as a tool for cultural production that converts commercial value to commercial value (commodity). Therefore, the form of artistic expression depends on the individual's ability to sell it as a product, ie art and service.

The "landscape society" written by Guy Debord and published at the highest time of the Vietnam War in 1967 believes that the world has been replaced by the concept of landscape. Debord explained the composition of the landscape (in a few paragraphs), "In society where modern production conditions dominate, life is regarded as an enormous accumulation of eyeglasses, all directly living things already exist (# 1) Debord stated that life in the modern era has become a reality, as representative (ie media) real life experience replaced the experience of digital life. "Landscapes are presented simultaneously as a society, as part of society, as a means of unification, as part of society, it is the focus of all visions and all consciousness.