Essay sample library > Analysis of the Painting Late Northern Song emperior Huzong

Analysis of the Painting Late Northern Song emperior Huzong

2023-04-27 17:18:31

In other words, the crane is a sacred bird. (Ars orientalis) Therefore, the phenomenon that 20 cranes came to the gate was interpreted as an auspicious event. Realism refers to the true expression of people and things. However, in the case of Huizong, Benjamin Roland considers the emperor's style to be "magical realism". This can be proven with "Ars orientalis". Other studies show that the purpose of Song Academy is to show poetry of life, not real life (Buku yg difoto).

Please look at the city landscape of Song dynasty from the picture. Clockwise from the upper left: Chinese paintings of the era of the Northern Song Dynasty (960 - 1127) were used for grain water mills and surrounding rivers. During the Ching Ming Festival, Zhang Ziduan (1085-1145) drew a bridge along the river. A Chinese ship along the Yangtze River during the Ching Ming Festival. Lee Matsunan Song Raifeng Tower. Song Dynasty was one of the most prosperous and developed economies of the Middle Ages. Song China invested funds on the joint-stock company and several sailing ships, when fast-growing foreign trade and domestic trade along the Grand Canal and the Yangtze River ensured financial gain. Allow exclusive industries not governed by the government to be occupied by families and private companies of famous merchants. Private and government controlled industries that satisfy the needs of China's population increase during the Song dynasty

Between Northern Song Dynasty (960 - 1127) and Southern Song Dynasty (1127 - 1279), there is a big difference in the trend of painting. As the picture of the officer of Northern Song Dynasty was influenced by their political ideals that brought order to the world and solved the biggest problem affecting society as a whole, their paintings often had huge and vast landscapes I was drawn. On the other hand, Southern officials are interested in reforming society from bottom up, which is much smaller, so we believe that this method is highly likely to succeed. Although their paintings tend to focus on smaller, more intimate scenes, the background lacks details as a field that does not pay substantial or attention to artists and spectators.

There is a big difference in the paintings of Northern Song Dynasty (960 - 1127) and Southern Song Dynasty (1127 - 1279). The art of Northern Song Dynasty was influenced by the dominant political concern that brought order to the world, and in the process, arranged the big problems affecting society as a whole. Therefore, paintings usually represent a vast and vast landscape. In contrast, the Song Dynasty in the south is mainly interested in a small bottom social reform. Therefore, their paintings tend to have smaller, more intimate scenes. This change in attitude is mainly due to the influence of the New Confucianism. (Note: For the basic principles of Chinese art, please refer to Chinese traditional art: features.)