Analysis of Still Life with Apples and Oranges by Paul Cezanne

This mission is an analysis of Still Life with Apple and Orange (1899) in Modern Art Work by Paul Cezanne, Impressionist Art movement. The analysis is based on the aesthetic and ideological basis of avant-garde art. This refers to the work of Charles Harrison and Clement Greenberg. First, modernism and avant - garde are discussed according to the definition of Harrison and Greenberg as an introduction to the discussion of works of art selected by Cezanné, then refer to the analysis of art work and the artwork and artistic features of Cezanné. Personal opinion belongs to still life and A

Paul Cezanne is a French artist born on January 19, 1839. Cezanne is considered a post-impressionist painter and contributes to the development of the cubist style. Born in Aix-en-Provence, he is a small town in southern France and a son of a wealthy banker, Louis Auguste Cézanne. His mother is Anne Elisabeth Honorine Aubert. He has two young sisters, Mary and Rose. When he was ten, Paul began to go to Saint Joseph school in Aix. - This is mainly due to the artificially forced mechanism and action shadowing effect. According to Jones et al. (2013), this is a problem / limitation that occurs repeatedly, especially in relation to cultural landscapes. Oldfield and Dearing (2003), in addition to this point of view, shows that the essential problem is correspondence of records of records for these two factors. Other factors that influence soil erosion and associated sedimentation rate are agriculture, deforestation, artificial wastewater and so on.

Camille Pissarro is one of the greatest influences of Paul Cezanne, when he was with him in 1872, Cezanne began working outdoors and had a wider color. Cézanne met Vincent Van Gogh during this time and was influenced by his style. As a result, Cézanne's brush stroke has a lower density and a smoother style. The work at this time clearly shows that Cezanne's technology and theme are becoming impressive. These include the house of Mont Sainte-Victoire and Hanged Man. These are similar to the style of Renoir and Monet. However, the main difference between Cezanne's works of art is lack of sensuality. Artists seem to be trying to add volume, color, surface and brush strokes to his masterpiece often to achieve a sense of unity.