Analysis of Kinuta - The Fulling Block by Zeami

Kinuta, also known as The Fulling Block, is a drama written by Zeami. People appearing in this theater are the husband, local nostalgia (waki), his sword (wakizure), maid, Yugiri (tsure), wife (maeshite), male servant (ai), and the wife's spirit . After the death of her. Introduction of Joe, or drama, establishes the foundation of the drama, introduces shite, or wife, so it starts with the husband's first line (Waki). "You have a homesick in front of Ashiya in Kyushu.

The music we know today is advertised and formalized by a person named Zimi in the Muromachi Period (1333-1573). This is the work of Zeami who gathered government support for the art form. Unfortunately, Zeami later lost support of the government and was deported to Sado Island. Later, four major groups were founded and sponsored by shrines and temples. In the Tokugawa period (1603-1867), the shogunate used it as an official ceremonial art and promulgated rules on governance. As a result, Neng is becoming more standardized, emphasizing tradition rather than innovation. During this period, a fifth theater company was added and five major orchestras were produced.

About 2,000 Noh texts are fully alive, and about 230 of them are still present in contemporary repertoire. Zeami (1363-1443) and his father, Hiromi Kiyomi (1333-84), wrote many of the most beautiful and typical music texts, including Kamiwa and Matsuyama's Takamatsu Matsukaze. . Zeami also developed the principles of Noh drama to guide its practitioners for centuries. His Kakyō (1424; "Flower Mirror") details the performer 's composition, recitation, pantomime, dance, and the theater' s principles of music. These are the first major principles of Noh and Zeami expressed this as "things of things", that is, "imitation of things". He suggested choosing a classical character suitable for describing from legends and life. And the vision, melody, and words that open up eyes and ears are properly integrated, and the beauty that crystallized in the second main principle

Under the guidance of prominent performer - theater theater Shinki and his son Zeami, music developed into the present form in the 14th and 15th centuries. In particular, Zeami wrote many scripts, but they are still playing in the classic repertoire of 250 works of today. He also wrote several secret works, explained the aesthetic principle of managing cans, and detailed how art is structured, acted, guided, guided and produced. Under the auspices of military generals General Yoshihiro Ashikaga, people of Neng flourished in the era of Zemi. In the late Edo period (1603 - 1868), Neng Le became a martial art performance art. Feudal army lords across the country support their own group, many of whom can study and play with themselves