Analysis of Blade Runner by Ridley Scott

The next point of the blade by Ridley Scott based on Philip K. Dick's novel "Do Androids Dream of Electric Sheep" led by Ridley Scott is a police officer named SF Slash Black named Rick Deckard (Harrison Ford). It is a movie. To destroy Los Angeles in 2019 was to "retire" four genetic engineering robots known as "replicators". Four fugitives Pris (Daryl Hannah), Zhora (Joanna Cassidy), Leon (Brian James), and their leader Roy Batty (Rutger Hauer) find their creators, spread their reservations by bullying him It was. Four years of life.

Blade Runner (1982) and Blade Runner 2049 (2017), supervised by Ridley Scott and Denis Villeneuve respectively, are on the long way to the future of hyperopia in science fiction movies. The locus of Destopia began in the big city of Fritz Lang (1926), passed through Alfaville (1965), Soil Green of Richard Fleischer (1973), and many others. Galaxy fighter until 2049. Anti-utopia science fiction movies are the theme of major cities, population overcrowding, unity, inhumanization, nuclear war, ecological destruction, and infinite technical forms. As a counterattack against these anomalous visionary future, Disney tried to imagine the world of optimistic and utopian skills in the movie "Tomorrow's World" (2015); despite serious and thoughtful attempts, this future is More like cliche

According to the initial comments, Blade Runner 2049 (2017) is a sequel to the 1982 SF movie "Ridley Scott", which is better than the original. Indeed, even this is the dialogue we have, which proves the wonderful achievement of director Dennis Villeneuve, but is the critic correct? The list of follow-up movies for the best original content is short. Usually, sequels earn money with the original big hit and are urged together just to rekindle the glory of the past. For studio, such movie marketing is viewed as a less dangerous alternative than advertising new properties.

Like the original movie, Blade Runner 2049's most powerful aspect is its visual effect and sound design. The visual work of Ridley Scott and Jordan Cronewes in Blade Runner brought the best movie ever. This is a perfectly conforming standard, but if someone is suitable for this task, it is a legendary photographer Roger Deakins. In a recent career that makes some of the most fascinating visual effects in movie history, Dickins is beyond offering some of his best works. The visual effect is fully integrated with his aesthetic and production design and creates the most fully understood and trustworthy world ... well ... Blade runner. Probably the movie God will eventually think that this incredible genius can win Oscar, which was very unjustly disappointing throughout his career.