Analysis of "Blood Wedding"

Federico Garcia Lorca's three dramas "Blood Wedding", "Yerma" and "Bernarda Alba House" share many symbols. Lorca (CV) is writing many topics and objects that often have unintended dual meanings. These unconscious symbols are called prototypes and were developed by psychologist Carl G. Jung. In this article we use Jung's prototype theory to analyze these symbols. By doing so, the analysis will better explain some of the unconscious mean and creative idea behind the Lorca symbol.

This article is about Fredrico Garcia Lorca, Blood Wedding and Bertolt Brecht, Mother Courage and her children's drama. In Blood Wedding, Fredrico Garcia Lorca focuses on ethical and social norms people follow normally. They belong to conservative, sometimes primitive rural societies; they only follow the traditional values ​​they have accustomed to against the concept of free society. - If you can use the disadvantages and benefits of multilingualism, over time, flexibility of different languages ​​will always be on air in today's world. Everyone has the opinion that they can speak fluently in different languages, but there is no other way except seeing it is a big advantage. Bilingual or trilingual, sometimes even more valuable opportunities to understand fully

Regarding these plots, the three acts of blood marriage may be called engagement, marriage and blood marriage (death - this is a "wedding" and hence a promise of life). The movement of the lyrics began with scene 2, and the lullaby is "Malaysian who does not like water". This scene is sometimes seen as an episode, not only occupies an important position of a series of events by the first act, but also predicts the main event and the main image of the entire game. The lullaby played by Leonardo's wife and mother-in-law raised a bloody objection and remembered the (penis) knife (now "silver dagger"). The horse heard his hooves at the end of the first action. Therefore, this song is preparation for the third act of "marriage of blood" in the two meanings of this term.