An Investigation of Art in the Age of Mechanical Duplication

The introduction takes into account the fact that the purpose and intention of the article is to read an article written on paper, but the purpose and intention of the poster is to put it on the wall for a clear and easy-to-understand visualization. Therefore, the poster does not contain a lot of text to convey his opinion to the audience. They need to be concise and organized well so that they can convey their message to the audience on the spot. In this way, the images are intended, expressed and expressed, and people see and use them in a variety of ways.

The art of machine reproduction (1935, seiner technischen Reproduzierbarkeit of Das Kunstwerk im Zeitalter) suggests that by author Walter Benjamin, the aura of a work of art is mechanically duplicated and devalued. The theme and theme of this article had a great influence on art history, architectural theory, cultural research and media theory. During the German Nazi regime (1933 - 45), he wrote an essay on creating an artistic theory that Benjamin "will serve revolutionary demands in the development of artistic politics in popular culture". In times of lack of tradition and ritual value, the creation of art is essentially based on political practice.

Among my reading books, Collingwood is a popular art that attracted attention in the "work of mechanical replication era" three years ago when Walter Benjamin was written in 1935, "publication of the principle of art" I pointed out the feature. In the art of mechanical reproduction Benjamin believes that the possibilities of art work are open, lose one step with the audience, lose immersive grip, and can lead to a critical attitude . He said, "Film actors lack the opportunity to acclimatize to the audience during performance, they could not show their performances personally to the audience, which would allow the audience to serve as a critic ". The possibility of political liberation is limited, but that is disappointing against this obstacle.

Analysis of the art in the mechanical replication era leads to these insights with serious insight, so we must treat these relationships fairly. Mechanical reproduction freed artworks from parasitic dependence on rituals. The copied artwork is a work of art designed with reproducibility in mind. For example, you can create as many photos as you like from photo negatives, but it does not make sense to require "real" prints. However, as the authenticity standard no longer applies to artworks, the overall function of art is reversed. It is not based on rituals, but it is based on different practices - politics