Amitav Ghosh: The Ghosts Of Mrs Gandhi | The celebrated writer's seminal 1995 essay from the New Yorker, about October 31, 1984

Written well, pulled out the horror of those days. It also shows that ordinary Hindus and Sikhs are trying to help each other.

What it did not bring was a series of events that caused a riot. It seems that the seriousness of the massacre hit the case by October 31, 1984, but it was dangerous to forget the cause of these horrible incidents.

In many young people, especially the Sikh community, what happened in the 1980s was - 'Indira Gandhi first supported Bhindranwale (he is a saint / Santh). It was her assassination and riot. '

This series of events completely decorated the decades of Akari / seek movement, which ultimately reached the climax of the killing of the Hindu of Punjab.

Punjabi Sikhs and Hindu politicians also share responsibility for what happened in 1984. If the Congressional Party took Step 84 of the genocide in Delhi or elsewhere, the Sikh leaders may eventually take such steps leading to fire, and their role is Do not be hidden.

In his article "The Ghost of Lady Gandhi" (New Yorker, July 1995), Amitaf Gosh introduced the reader to Bosnian writer Dževad Karahasan and his "extraordinary article on literature and war" (published in Sarajevo) To do. "From City Exodus") This creates an amazing relationship between contemporary literary aesthetics and indifference of violence in the contemporary world "Ghosh continues to quote Karahasan: Ghosh eventually ended up with his own long Destroyed by the publication of his paper in 1995 which quotes silence lost, this is a description of the public's reaction to the terrible massacres of the Sikh community in New Delhi in 1984 - the body of her Sikhs Because the guard assassinated Indian Prime Minister Gandhi it will get revenge. According to Kalhassan, Ghosh explained this silence, "a decision to treat everything as an aesthetic phenomenon - completely avoiding good and true problems" is an artistic decision

A representative of collective violence in an article recently published in The Ghosts of Gandhi in 1995. So he first wrote about his riot after the assassination of Indira Gandhi in 1984. He quoted articles and war articles from the Bossanian writer Dzevad Karahasan, where Karahasan established a relationship between modernity. Literary aesthetics and indifference of violence in the modern world - (Ghosh 2002, 60). In Karahassan's opinion, the decision "to think of everything as an aesthetic phenomenon - to avoid perfectly good and true problems" is an artistic decision. This decision begins in the art world and continues to be a feature of the modern world - (Karahan in Ghosh 2002, 60)

In another older article, "Ghost of Lady Gandhi", Ghosh himself became part of action. Gosch, which explains the influence of Indiana Gandhi assassination by the Hindu mob and subsequent Sikh killings, wrote that the role in securing the safety of the Sikhs is incredibly too late. They may be the target of the wrath of the mob. However, despite the drama in this part, the core of this article is the genocide of small resistance by the general public.