Ambiguity In the Turn of the Screw; Creating Simultaneous Meaning

At the time of publication, the "turning screw" was called "intentional, intense, scary research of devil's magic" (p.170). Essentially, this is the perfect ghost story. In recent years, critics gave up "terrorism" thinking only of stories. Instead, criticism focuses on the meaning and interpretation of the text. Generally, the accumulation of criticism can be divided into two different interpretation camps. The first of these camps reads the text with a par value as a ghost story in the Gothic tradition.

In The Turn of the Screw of Henry James, ambiguity is intentionally used for the reality of ghosts. Although not sure, the reader must assume and assume to judge whether a ghost is genuine or summoned in a tutoring mind. In this book, there is more evidence of ghost imagination. One source of evidence is the preparation of a tutor. At the beginning of the book, the tutor is in a situation not ready. I am not ready because she lived in front of Bly.

Rotational rotation, Henry James (1898) "Rotating screw" was first published in Colliers Weekly in 1898 and appeared in The Two Magics as a book in the second half of the same year. As Henry James 's most popular short film, "Spiral Turn" reflects the great changes in James' writings in the late 1890s - the period considered to be his "experimental stage". It is characterized by an increased number of AMBIGUITY ruining the practice of graphic story tales, and other experimental texts of screws and turns (including what Maisy knew). Doctrine. Work and present a modernistic technique that will represent his "main stage" novel in the first decade of the 20th century (see Modernism). The ambiguity of James' popular NOVELLA makes it a most popular thriller among contemporary readers, so it has greatly increased the suspense.

Facts about companions of American short story document, 2nd edition (literary series companion)

As a work of Henry James, "Rotating Screws" has a unique structure that conveys ambiguity and vagueness ambiguity. In Donald Costello's "Modern Language Notes", Costello noted that the novel actually has two parts. "The double effect of a rotating spiral is the product of its structure, which is essentially a double result: a scene where a tutor shows an action usually leads to a horror; a scene where a tutor interprets an action is usually a mystery It leads to. Basically, in a part of the story, Costello tells that the tutor "reports" from his point of view and provides the fear of "ghost reality" and another part of the plot structure, and the audience explains that part . Readers naturally infer the themes of good and evil through explanations