Allegory

A popular literary form, where one story points to a hidden or symbolic contrast. Certain elements such as letters, things, events, etc. in the story refer to corresponding elements in another region or level of meaning. The closer the similarity between the two domains, the more detailed the parable becomes. The best allegory is itself an interesting, coherent story and provides new insights into the areas they describe through stories (eg pilgrim progress and Narnia tale). The Jewish metaphor, including the gospel metaphor, has a different number of elements in the fable. Those that have many corresponding elements in these two fields are correctly called fables

The interpretation of a fable is sometimes called a fable and is an interpretation of a text that treats it as a fable irrespective of whether the author regards it as a fable. Even allegorical interpretation of the true allegory could be misleading by misidentifying the corresponding element in the indicated object or by identifying the corresponding element that did not initially correspond . Allegorical errors often detract from the consistency of the information the author expects. This unfounded allegorization is common among the fathers of the later church and is often unreasonable in the ring of the Gnostic.

A parable of a rich Nathan, who killed a beloved pet lamb in Samuel, refers to David's act of killing Uria to take away his wife, allegedly told . However, it was not so different that David initially did not recognize the assertions or clear decisions of wealthy wealthy people. Natan's "You are a man!" Because he acknowledges the similarities between his behavior and rich, uria and the poor, and Uria's wife and mother. In Samuel 1 14: 4-7, the fable of Tekoa 's clever woman also opened David' s eyes and gave him a new perspective to ignore the life of Absalom. (Other fables of the Old Testament include Isaiah 5: 1-6, Ezekiel 17: 1 - 24, 24: 3 - 14, Daniel 2: 31 - 45; 4: 10 - 33; 7 : 1-28; 8: 1-27)

In Galatians 4: 21-31, Paul uses the stories of children of Sarah (Israel) and Hagar (Ishmael), and the statues of Jerusalem and Sinai above as double fables. Contract of freedom and slavery. . This allegory adds a simple emotional appeal to Paul 's freedom claims in Christ.

Northrop fly discusses what he calls "the continuum of the allegory" from what he calls "false Quinn's innocent allegory" to a more intimate allegory of the modern essay. From this point of view, the characters of "simple" allegories are not perfectly stereoscopic, but reflect the moral quality and other abstractions, depending on the character of the characters. That

Introduction: A fable is a sort of story that the author intends to read the second meaning under superficial stories. One of the most important fables of human talent is the allegorical cave. Plato's cave allegory is one of the most powerful and pregnant suspicions that explain the state of human beings in the state of fallen and resurrected. The fable of the cave is the interpretation of Plato's understanding of the soul's education. It is also known as Plato's cave analogy

The fable of the cave is one of the most famous passage in the history of Western philosophy. This is a brief excerpt from the beginning of Volume 7 of the book 'Republic'. Plato speaks a fable in the context of education; it is ultimately about the essence of philosophy education that provides insight into Plato's educational outlook. Socrates is the protagonist of the Republic and tells Glaucon about the cave fables and Glaucon is one of Plato 's brothers. In the seventh book of the Republic, Socrates told Glaucon that he imagined a group of prisoners as they were children in the underground cave that he is an interlocutor of his. Hands, feet, neck are tied so as not to move. Only the rear wall of the cave can be seen in front of their eyes. Socrates said: