Alice Walker’s The Color Purple And Kate Chopin’s The Awakening

Throughout history, society has always been dominated by men, so women received some very demanding requirements. Women are wives, mothers, chefs, maids and should have sexual orientation towards men. As a form of patriarchal silence, any woman who departs from these expectations often becomes a victim of physical, emotional, and social assault. Creativity and personality are dirty, sinful, and very inappropriate for women. By robbing a woman's voice, men can eliminate their own power.

Alice Walker's "Purple" - "Alice Walker's Pulitzer Prize-winning Novel" Purple Purple is praised for African American women and lesbian depictions. This is a powerful story to speak frankly about racial discrimination, gender discrimination, violence and discrimination, purple usually requires college reading for reasons. "Salt Price" by Patricia Haysmith - "I believe it is the first lesbian pulp novel to break the pulp publishing industry - due to the tragic influence of that lesbian actress, Salt Price Tricia Haysmith Claire Morgan's pen - It was written by "stranger in the train" and "Mr. Ripley". "

Purple historical background, I know why the birds in the cage sang and woke up to a stereotypical society. However, in classical works, "Awakening" (Kate Chopin), "Purple" (Alice Walker) and "Why I sing a bird in a cage" (Maya Angelow) draws another main character. In these novels, the hero is a growing heroine.

Awakening Kate Chopin's "Awakening" in Chopin immediately caused controversy within the range that Edna Ponterie marked the emergence of the American fiction "female character" in the early 19th century. A contemporary of Kate Chopin (1851 - 1904) was shocked by the depiction of a woman with sexual desire. Even without accusing her main character, Chopin remains neutral ... I am trying to get rid of the male dominated society to find the identity by looking for words in the awakening Kate Chopin's novel "Awakening" The story of a woman in the latter half of the 19th century. Herself. Edna Pontellier is trying to find himself, but only characters that can be used are "real women", classic wives and mothers, "new women", extreme women seeking equality with men. Patricia S. Yaeger, in her article "A language that nobody can understand"