Once famous songwriter and musician Billy Joel's alienation and refusal said once: "I am no longer a considerate man, I really hope to be more foolish, I will not be afraid to refuse" . I can conclude that alienation and rejection subject matter occupies the hearts of everyone, including famous pop musicians. Since these themes are common to all people, they are common to all forms of literature. Mary Sherry 's classic novel Frankenstein and John Gardner' s 1971 parallel novel Glenn can see two main examples.
Every generation of people facing great literature tends to see predictions of their own problems, needs, and desires. SteppenWolf is no exception. Young Americans in the 1960s rejected the values of the middle class of this novel, but since this is all present, lies and hypocrisies are obvious and justified. The influence of Hesse 's novel and short story against young American at that time can mostly explain the contempt of his silence against the establishment of value. To punctuate all of his work is a self-realization and a call to self, a need to become a higher self, a more realistic innerier that is only killed under tyranny of the social 11th commandment It is sex. "You must not change!" His work focuses on personal, subjective, and internal advantage and autonomy.
Our review of widely rejected literature has found that people have various coping mechanisms that attempt to restore their affiliation after rejection. In many cases this type of recovery is impossible to reject even in individuals, groups, and society, but our review is a stronger relationship with the stigmatized group by people developing new relationships Often I look for other sources of acceptance to promote. Remind yourself of important relationships and contact them to feel temporary belonging awareness or use other strategies. Future research will examine how people can adopt multiple strategies to study how people recover from rejected experiences.