Albrecht Dürer’s Meisterstiche

Albrecht Dürer is a German Renaissance artist known for his printmaking and scale books. For over a hundred years, in his research, Cavaliers, death and devil, (part 1) St. Jerome, (part 2) and Melenkolia I, (part 3) are considered to belong to Durler. Overhaul, or "Master Print". 1 These three prints have several different interpretations, including the image and the relationship between them. These master prints are probably most written in Dürer's work. In 2014, we will celebrate the 500th anniversary of provocative and mysterious Melencholia I and St. Jerome.

Albrecht Dürer is the most important artistic personality of the German Renaissance, successful painters, printmakers, drafters and artist theorists. His painting innovation and technology changes change the art of woodcut prints and sculptures, enhance their status, transcend the origins of their crafts, set standards, and rarely match the history of plate making . Three works as Dürer's best achievement as a sculptor of his excellent career from 1513 to 1414: Knight, Death and Devil, Melencolia I, and St. Jerome in his study. Close to the size and complexity of the implementation, these three prints are called Meisterstiche or Master's Engraving of Dürer

Between 1513 and 1514, Dürer produced three special copper printmaking - in his study, knights, death and devil, St. Jerome, and later Melenkolia I known as Meisterstiche or master sculpture. Some scholars interpret master prints as complementary examples of different virtues - morals (knights), theology (St. Jerome), and intellectuals (Mellencolia). St. Jerome and Melenkolia may be informal pendants; St. Jerome 's clarity, light and order are clearly contrary to Melenkolia' s meditative anxiety, nighttime environment and chaotic placement. Dürer considers these three prints to be unreliable as a set, but their style, size and complexity are similar and represent the vertex of Dürer's practice as a sculptor. Unlike many of his other prints, these sculptures are for lovers and collectors rather than popular devoted things, according to Dürer's standards.