Alain Robbe-Grillet and The Secret Room

Alain Robbe-Grillet and The Secret Room are on the class selection page 2032, and Alain Robbe-Grillet's work is called "The Secret Room". I am interested in this work, I think this theme and story is profound and difficult to understand. So, I would like to know Alain Robbe - Grillet and I would like to get this idea. In this regard, the question I would like to study is what is Alan Robb Griet, and what is the story. First of all, Robbe-grillet, born in Brittany, France, is home to scientists and engineers.

Like David Cronenberg, Alain Robbe-Grillet comes from a background that is not necessarily suitable for movie production. Only when his successor in Canada enhanced interest in science and celluloid, the French coach was born into a family of engineers and philosophers (not Cronenberg's parents, a pair of musicians and writers). Robbe-Grillet began his career as a novelist, abandoning practical DNA, and in 1961, Marionbad entered the movie world which is masterpiece of Alain Resnais last year. But anyone sitting in one of Robbe-Grillet's movies will find visual artists who do not want to lie on the keyboard. Resnais himself (becoming Marienbad), later Robbe-Grillet "provides such a detailed script to soundtrack and camera movements, acknowledging that it feels like a" robot "in the first few weeks of filming "It said.

FLW who consciously reflects self and reflects the transgender states that the philosophical tendency of 1967, "Alan Rob-Grye and Roland Bart" is incorporated and "Individuality and reality as a whole can not be completely conceptualized" I will. Sarah's account by Fowles proves the lack of literary and artistic efforts to express reality. Sarah can not be expressed mysterious It exists outside the story's identity. She argued that she tried to explain her own system and despised desiring to incorporate Lyme's people, Dr. Charles and Dr. Grogan in the traditional story, It represents victory. Woman, "chronic depression". Through Sarah, the waterfall gives a strong sense that can not be expressed.

I remembered The Erasers (1953) of Alain Robbe-Grillet. There, the design of the detective slipped down and began to support other problems. In other words, this movie seems to prefer to produce deep emotions and aesthetics pondering rather than pursuing a developed plot. Instead of solving the problem or tracing the arc of the letters, they live in a sophisticated manner, are enthralled by a style designed to be overwhelmed by reference, accompanied by huge soundtracks. Remember, Prometheus (2012) remember about looks, feelings, aesthetic immersive feeling, and not interested in creating plausible and convincing plots. .