Agnes de Mille’s Impact in the World of Dance

For many years America has been pursuing performing arts in various ways. Drama plays a dramatic and important role in the art of today's society, which requires a great deal of effort in every way. Especially musicals are focused on dance, performance, and songs. This is the foundation of the music theater. In my advanced project, I helped organize several scenarios with community musical 'Comprehensive Modern Millie'. Choreography is a way to express myself, but it is not always considered for this purpose.

In the words of Agnes de Mile, "Dancing is not of yourself, it is bigger, more beautiful and stronger, it is power, it is your power, it is yours, it is yours." Dancing really is It is a gift. It is an art form that helps people express themselves and show their creativity through exercise. I have been a dancer for the rest of my life. From this experience, I have become a better person and have seen all the advantages mentioned above. I became healthy both mentally and physically, and I learned the importance of discipline. Based on these benefits, does not someone want to dance?

Agnes de Mille and Jerome Robbins work in music theaters and are widely regarded as the golden age of the industry. Many say that this is an innovative way to choreograph in a musical, bringing vitality and motivation to musicals. This is a surge in popularity. There was no doubt that they did a lot of work to improve the role of dance in musicals. A beautiful woman, a naked body parade on stage. Robbins and De Miller believe that dancing is a serious art form and we strive to describe it as a dance on the stage.

Since Balanchine opened up the path of AgnesDe Mille and Jerome Robbins and completely changed the dynamics of dancing in musicals, the musical has a whole. De Mille introduced the concept of using dance as a storytelling tool, Robbins turned the choreographer's role in musicals into a show director and driven the dance. Asa's children are children of the play family, but De Mille does not allow formal dance training, but at night it performed improvisation on Orchstrelle (7) work with mother's accompaniment and night at improvisation I will. She will practice her play. Every night before flexible training, that skill will prepare her body. As she and her family were in Hollywood, her real dancer's instinct became obvious as she fell in love with the vast space around the town; it was the theme of repeated her choreography repeated It will be.