African Art

African art This painting was made by African artists. You can judge from the African background by the color used in the picture and the style of the clothes. This picture is abstract because of its shape. There are curves in the figure, but the figure is used like a "block" as if the figure is a picture. This picture is the color used. Each random shape has a hue. The color used is bright from blue and red, mixed with dark shades.

Egyptian and African Egyptian and African artistic expression ............................ In art, the style is 1 Features or many features that can be identified as immutable, repetitive, or consistent. Artistic terms 1) Artists express their emotions through artistic creation, and their finished goods will reflect this feeling. They can also create works of art that give emotional reactions to the audience. Emotion is a strong excitement about experiencing the emotions of Nile jewelry: The history of ancient Egyptian jewelry wore jewelry for thousands of years. There is no time to compare with ancient Egyptian jewelry regardless of whether it is to show beauty, wealth or faith. At the beginning of the kingdom jewels and metals were found and worn. Unfortunately, the remaining Egyptian jewelry on display at the museum today are just a few of the real existence of serious robbery. problem

There is no specific date for African art. This is the reason most art dates from the 19th century to the early 20th century. Many 20th century artists admire and collect the art of Africa. They enjoy bold colors, expressions, and shapes, creating a new starting point in the history of art. - In 1915, Marcel Duchamp used a common snow shovel, drew a title in front of a broken arm, introduced the concept of "ready-made" art. He used to raise the wheel and connect it to the stool to make a body called a bicycle wheel.

Early in the 20th century, the most important aesthetic movements in African American art were the Harlem Renaissance or the "New Blacks" movement in the 1920s. Harlem in New York State became "the center of the culture of black America". Even though he was not an African-American, Stuart Davis practiced in New York and was influenced by African-American culture and jazz music. Aaron Douglas consciously integrated the image of Africa into his work. The most important African-American photographer at the time was James Van der Zey, photographing characters and scenes in Harlem for more than 50 years. During the Second World War and after the war, new schools of African-American artists emerged, many of which were called "children of the Harlem Renaissance." In the 1950s, the art of African-American was dominated by abstract expressionism and realism; their important practitioners included Charles Alston, Romare Bearden and James Wells.