Aesthetic modernism in the second half of the 19th and early 20th century tried to modify the role of art and artists in industrial society. In big cities, these changes began with the most severe occurrence, and felt most violent. There may not be works other than Rainer Maria Rilke 's 1910 classic "Malte Laurids Brigge' s Notebook" to effectively solve the problems artists face in modernization. Rilke achieved this goal through an embedded discourse with Charles Baudelaire and works by George Simmel.
Burton F. Porter wrote this claim in Rainer Maria Rilke's "Malte Laurids Brigge Notebook" on page 11 of "Porter's Philosophy: Literary and Conceptual Approach". I agree with Porter's remarks on Rilke notebook. As Potter said, "Lirk refuses to identify people by distinguishing their own body and appearance, especially clothing, face, hands, they can not reflect our nature When we try to become ourselves, we may not be able to stop the game. "I believe this sentence summarizes Rilke 's assertion. Lirk uses his rationality and common sense to express his opinion. I am planning to use these two methods and empirical data to support Rilke.
Yesterday, I read the notes of Malte Laurids Brigge, the only novel written by the poet Rainer Maria Rilke. Brigg is a young man living in Paris at the end of the nineteenth century; he is a Danish, poor man, aristocrat and poet, but the most prominent feature of Brigg is that he is surrounded by depression. He is a serious and clumsy man, there is nothing to cheer him up. It is not music: he also said, "It makes me stronger than anything else", it also appealed "I will never return to the place I found and lower it somewhere else." Brigge condemned discovering that 'burst year' was 'accusation' ... the garden began but you ... pulled in winter ... one of the birds rang So, I refused you ... Oh, should you die? "It is not a book:" You do not have the right to open a book unless you are ready to read it all. "And a woman? A woman is completely mysterious, he just does not understand