Adrienne Rich 's bride snapshot and Don DeLillo' s End Zone are using negative vocabulary and images to explain their views about feminism and postmodern. Rich uses negative vocabulary and images to describe women who adapt to the world's perception of what women should be and what women should do at home. After complying with Myna, DeLillo uses a negative word to explain Myna. Rich people bring the idea that housework can make a burden on women both physically and emotionally.
As a young mother with two children, Adrienne Rich has an epoch-making book "Legal Snapshot of the Daughter" between works, confetti, exchange and feeding of diapers, family responsibilities and child's argument I have written. "She did not know that she is writing a book, she knows that the line of poetry appears in the crack of her busy life, they grasped them before they left.
Taking all factors into account, "Privet Snapshot" places Adrienne Ritchie's emotions between language, border and resistance subjects through inter-sentational events with dual effects: as it has Proposing a new text that seems to be suggested to the public is directed to the male audience rather than the general audience and they are disturbed because they dare to "crush the direct type" powerful independent I want a woman who did. The poet uses various strategies to create these effects, one of which is to positively express through women's historical experience trying to go beyond the role society imposes on them. By changing the gender by changing the phrase of the main author, she will emphasize the superiority of men and begin discussion dialogue with the original text.
Perhaps the most important contribution of Rich can be seen separately through her work. She has written several articles that explicitly took up the rights of women in society. Her book titled "Snapshot of Legal Daughter" is considered the first work to discuss this topic. In the book, she provides a critical analysis of the effects of sex on the lives and life of mother and daughter. This book relates to a woman, a talker talking to her mother-in-law. The former thinks that she is the limiting factor of her life. Furthermore, she punishes her not to improve her life. The topics covered in this book can be explained as general in feminist work. First, it punishes superficial lives that focus on beauty rather than intellectual pursuits.