A Utopian Ending in The Tempest

Authenticity ending with Utopia's storm The idea of ​​creating utopia on the Mediterranean island was reproduced during William Shakespeare's storm. When the supported Duke Prospero summoned a storm with his magic, a ship full of Italian royal hits hit the island shipwreck. The existing hierarchy quickly collapsed in the wreck shame and the readers began to say how the characters imagined their perfect world. However, in the script and humorous conclusion as a whole, the reader believes that realizing any form of utopia is an unrealistic expectation for the intense relationship and history of the characters.

"Utopia in the Storm" depicts Shakespeare in the "Storm", allowing the audience to recognize the possibilities of utopian society and everything that it might bring. Do good and bad things so that you can see the problem in such a society. Therefore, Arashi can be seen as a window to the dimension of Utopia society. His role plays the role of a utopian social leader, but Shakespeare uses his own creation to draw a belief to understand social social problems and utopian environment I will.

Tempest entered the entrance of the cinema between 1610 and 1611 and showed a possible connection between Shakespearean plays and the ideal new world colonization. It is important to understand the politics and culture of the early 17th century court before analyzing court order and Utopia theme in "Arashi". Since the emergence of Shakespeare's society led to an ideal solution to politics, it played an important role in the theme drawn in "Arashi." In medieval times, court love was regulation between women and her lover. Code (British encyclopedia). The court love relationship closely resembles the feudal relationship between the knight and his monarch. Lover, like a servant, serve his beloved. He has his own loyalty and loyalty and motivates him to show his noble heroic behavior (Schwarz)

Despite the end of a fairytale storm, Shakespeare still understands that this utopia's vision is not suitable for sinful flesh and blood living in a corrupted world. That's why the drama is not on Bermuda but on a wonderful island in the Mediterranean. Shakespeare does not write about the splendor of the New World, great property, or the more environmentally friendly Eden Ranch, but many colonial postwar critics are forced to do such reading. Instead, the miraculous reconciliation provided by the drama can only exist on attractive islands: when the company returns to human civilization, it disappears like an immutable beauty contest.