A True Tragedy

True tragedy No matter where you are in the world, stories, stories of life and love will stimulate various emotions from the bottom of your heart. Every kind of love makes people feel happy, sad, and even compassionate. There is also a realistic story, but there are also unrealistic stories that exaggerate too much. William Shakespeare 's Romeo and Juliet are famous for children and adults. This story is fictitious, but there are many tragic love of the two protagonists. It is well known, but there are many controversies and controversies.

Romeo and Juliet: Traged tragedy Aristotle's tragedy consists of several different aspects. In William Shakespeare's "Romeo and Juliet", the hero contains tragic flaws, ie extremists. In addition, the audience will experience the sympathy and fear of Shakespeare during the drama. In addition, lovers studded with two stars were hit by a disaster at the end of the tragedy, and the characters met tragedy and frightening things.

True Aristotle's tragedy is thought to contain one flawed character. Such people show behavior that completely affects the outcome of the tragedy. William Shakespeare did this with Romeo and Juliet's work. The tragedy of Romeo and Juliet will not be a tragic poem but a tragedy of Aristotle. This is true as every aspect of this verse conforms to Aristotle's definition. This poem should be considered a tragedy of Aristotle.

Aristotle's tragedy: Macbeth Aristotle is widely known by developing his tragic view. He recorded these views in his poem where he commented on the plots, objectives, and effects that a true tragedy must have. The structure of these tragedies is an example for many writers including Shakespeare himself. Many of Shakespeare's plays follow Aristotle's tragic idea that Macbeth is doing a good job in influencing Aristotle's model. Aristotle explains the most important things

In modernist literature, the definition of tragedy has become less accurate. The most fundamental change is the rejection of Aristotle's saying that true tragedy can only be depicted with power and a high level of people. Arthur Miller's paper "Tragedy and Ordinary People" (1949) argues that the tragedy may also describe the performance of the general public in the home environment. British playwright Howard Barker struggled in the revival of the tragedy in contemporary theater, especially in his argument against theater. "You took away the tragedy and opposed the lie, after whom you are a fool of whom," he insisted. Critics such as George Steiner are even preparing to think that the tragedy may not exist anymore, not an ancient expression form. In "Death of the Tragedy" (1961), George Steiner outlined the characteristics of the Greek tragedy and the tradition that developed from that era.