A Qest for the Unknown: Kamala Das as a Poet of Body and Sexual Aspirations

Pursuing something unknown: The role of Kamara as a physical and sexual desire is always one of the main themes in Kamarada's work. She used this theme over and over again and explained the relationship between men and women's character. Unlike other Indian female writers, she has no tendency to refer to sex or love indirectly or indirectly, but instead adopts bold and untouched sexual practices. As Wordsworth once said, poetry is a voluntary overflow of strong emotions; Camaradas is representative of this discourse that releases a range of emotions not only in her poetry but also in her short stories. Also found in novels and novels.

Kamala Das (1934) is an Indian poet and author of Malayalam in Kerala state in southern India. Her popularity in Kerala is mainly determined by her short story and autobiography, and her English work is written in the name of Kamaladas known for her burning poetry and clear autobiography I will. She treats female sexual behavior openly and sincerely, shows a power to write without making a guilty and plays an anti-traditional role in her generation. Das's first poetry collection "The Summer of Calcutta" is a fresh air of Indian English poetry. Some of her English works include "Desire Letters" (1977), Palayan (1990), Neypayasam (1991) and Dayarikkrippukal (1992). She is currently the author of the Indian Syndicate column. She writes mainly about love, betrayal, and the accompanying pain.

In this article we will explore poetic responses to local traumas and consider poetry after that time. I will use the poets of Agha Shahid Ali, Jibanananda Das, Faiz Ahmed Faiz, Achintya Kumar Sengupta to study works in Bengali, Urdu and English. I will study how the poet copes with the memory of violence and the resulting dislocation and alienation problems. I will study the possibility of poetic melancholy as a tool to respond to and negotiate forced and violent change of identity promoted by the department. In the process, I present a case of extreme possibilities that may be called nostalgia. In these cases, I think that the poetic melancholy can be seen as a remedy of the separation of imperialist separatist behavior and the occupation of history by nationalism in the post colonial countries. Key words: A. ant, J. Das, F. Faiz, depression, partition, poetry, A Sengta