A Heroic Monomyth

Monomyth, also known as a hero's journey, represents many of the common stages heroes experience on the road. Joseph Campbell is the person who first explained about monomy (wise GEEK, 2003). He explained all three phases and the steps of each phase. The first stage departure is to summon an adventure, refuse to summon, supernatural aid, cross the first threshold, and include whale's belly. The second stage is the road to the trial, the encounter with the goddess, the woman as temptation / temptation, the redemption with his father, betrayal, and ultimately rejection of prosperity and battle.

It is explained as a hero's journey. Regardless of the period and culture of literary creation, many heroes are consistent. As everyone knows, the poet Beowulf follows the heroic adventure described in Campbell's monologue. The journey of the hero consists of three paragraphs: separation, enlightenment, and return. As Beowulf experienced all phases of these stages through epic, his journey followed Campbell's consistency. Separation is the first step that the hero must pass through.

Joseph Campbell built monetary theory, also known as "heroic journey", as an explanation of the similarities between the mythic systems around the world and heroic epics. According to his research, all wonderful stories follow a particular narrative model contained in the currency. After escaping from the tunnel, the hero was sent to several missions. All of these tasks are all about getting things, finding people, learning valuable information, how the dragon returns to the sky, refine the main character's skills and test his abilities It also helps. In many cases, they are test loads

The hero's journey, also known as currency, was the idea proposed by the famous mythologist Joseph Campbell. The core concept of monism is that patterns can be seen in historical stories and myths. Campbell defined and described this pattern in his book "The Hero of the Face of 1,000 People" (1949). In his book "Screenplay", Syd Field has proposed a new theory, he calls it a paradigm. In the screenplay of 120 pages, the second act is famous for twice as trivial things as the first and third acts. He also noticed that an important dramatic event usually occurs in the middle of the picture, which means that the intermediate action is actually a combination of the two actions. Therefore, the three billing structures are labeled 1, 2 a, 2 b, and 3, and the three actions of Aristotle are divided into 4 parts.