A Feminist Perspective of Atwood's Surfacing

The superficial feminist critic often calls it "feminism / ecology", and the surface of Margaret Atwood reflects the politics and problems of postmodern society (Hutcheon 145). The tale of the story (not known yet) has returned to her growing undeveloped island to find her missing father; in the process she is her personal and patriarchal Exposed duality and contradiction of society. By striving to regain her identity and roots, the surfacer began a psychological journey that took her directly to nature.

Atwood's work has always attracted the interest of feminist literary critics, but Atwood is reluctant to label feminist in his work. Starting with the publication of her first novel "Eating a Woman", Atwood asserts, "I do not think it is a feminist, I think it is social realism." Sexual politics, use of myths and fairy tales, and analysis of gender relations from the viewpoint of feminists. She later revealed her discomfort to label feminism. "I always want to know what the meaning of that word means, some people are very negative, some people are very positive, so in order to answer this question, It is necessary to ask the meaning, "These are not the positions I agree with," she repeated on the Irish Times. position

Margaret Atwood 's "emerging" colonial era Margaret Atwood' s novel "floating" shows a complex identity of English - speaking Canadian women. The identity of the hero became a problem due to its role as a victim of colonial power. Her growing patriarchal society represented by Americans and their cultural imperialism, or post colonialism, and despite her health, her European heritage left in her country that man It was colonized. The existence of rulers of Britain and France has disappeared.