A Doll’s House: Nora

When Henry Ibsen knocked at the end of "Dolls House", no one could believe that the woman who came out of her house was the woman who appeared at the beginning of the play. The main character of this play is Nora. Nora experienced fundamental transformation from a woman who relied on her child to a strong and independent woman. Ibsen painted the role of the Victorian society in this drama. In her life, Nora's husband and father have always dominated her; she can never be independent, she is treated differently from the people around and her people are weakened and patronize I am doing it.

The important thing is the role of Ador House which plays a woman of the 19th century and is depicted as a victim. All aspects of this sentence can be applied to Nora's role-playing A Doll House, which in most cases is oppressed, presents an unrealistic identity to the audience and attempts to discover her throughout the game . Real identity. The disadvantage of Nora is very important to her personality. Nora suffers from various repression

In Isben's, A Dolls House Nora, the hero is considered a property of Torvald Helmer, a doll. In the first act, there are many clues that suggest Nora and Tobird's marriage. Nora seems to be a doll under the control of Taurval. From action to thinking, she relies on everything he does, like a master of puppetry relying on it. The most obvious example of Nora's physical control by Torvald is that he will reread her tarantella. Nora pretended she needed Taurus to teach her every move to re-learn dance. This action indicates that she is obedient to Tovard. After teaching him to dance to her, he said, "When I saw you dancing Tarantella like a female hunter, Banshee, my blood got hot and I got it anymore I did not declare it. " This is more interesting to Nora than to body. Nora replied, "Leave me, Taurus de the Valentine! Leave me!