A Comparison Peter Shaffer’s Equus and Albert Camus’s The Stranger

Presenting the truth about an external character to an external audience not only shows a good personality judgment to the organizer but even if the presented meaninglessness is coincident, . Peter Shaffer's Equus and Albert Camus 'Stranger' took the different approach to the audience / jury to introduce the truth about Alan Strang and Meursault, but there is one obvious thing. The manipulation of these characters, which are intentional or unintentional, can lead to eternal distrust of the organizer Martin Dysart and the legitimate member's credibility.

Peter Shaffer's drama "Equus" is like a real tragedy of a mixture of religion and adolescence, but raises doubts about the "civilization norm" of society. Alan Strong seems to be the most influential of the entire story, but the real tragic person in the play is Allen's psychiatrist Disat. Dysart was questioned about everything he accepted before and when he met Alan his whole life was thrown out the window. The tragic character definition by Arthur Miller and the traditional definition by Aristotle also apply to Dysart.

The authors of Equus and Metamorphosis, Peter Shaffer and Franz Kafka reveal how social oppression leads to the loss of identity through the struggle of their protagonists. This oppression is caused by social obsession with something that it thinks is normal and social beliefs promote it so as to adapt to those who do not adapt to the ordinary image. The two authors use their roles to symbolize different perspectives and judgments of society. Based on these judgments, the authors used two different types.

By incorporating figurative words into the deformation of Franz Kafka and the equestrian of Peter Shaver, we isolated characters in the experience of hiding emotions to find self discovery and peace of mind, paying attention to other needs It was. Therefore, the behavior that occurs during the analysis and the result of their isolation will determine the success at peace breakthroughs. When comparing the two texts with the personal loss and the alienation historical background, Gregor Samsa and Alan Strang of the hero experienced isolated hints and gained understanding.

In strangers of Albert Camus, it is proved by the protagonist Meursault that coronation is ridiculous. The meaning of life In human experience, the meaning of things should not be questioned as the basis of the truthfulness as a person of Meursault. These personality traits indicate that Melso is the perfect example of existentialists. From the exact physical description of the event he touched of Meursault, from lack of emotion, and complete withdrawal from everything in his life, points out the features of the perfect existentialist. Even his view on life and death believes life is not worth living really. This is a direct depiction of existentialism. In the whole novel, Mersau is drawn as an absurd hero; this character does not want to have another fate, but accepts his judgment and there is no way to do this.