The comparison between the two movies and the big future is based on the Victorian era written by Charles Dickens in the 1860's. The novel written by Charles Dickens was the movie version produced by David Lane and the other one was produced by BBC. The B.B.C version is a contemporary version, and the version created by David Lean is a traditional version. We compare the starting point of these two versions with "big expectation". These two openings use different techniques to achieve very different effects
Compare the opening screens of the two movie versions "Great Expectations" and examine their effects in creating tension. The famous "Great Expectations" of Charles Dickens contains many movie fixes, but this article will focus on two specific versions of the 1945 edition, supervised by David Lean. The 1997 version was supervised by Julian Jarrold. In this article we will check the effect of each opening and compare. The camera angle is clearly the most important factor in creating a tense atmosphere at the beginning of the movie. For today's audience, the camera angle and lens from the late version of the director Julian Jarold, a short abrupt change between shots such as jump shots, jump shots, and pips to the graveyard near the prisoners' feet For more effective creation of tension. I pointed my face, jumped shots, closed prisoners' feet etc.
Compare the way tension occurs in the two opening sequences of David Lean's 1946 edition and Julian Jarrold 's 1999 edition "Great Future". At the beginning of the big future, we met Pip with a lonely and bad boy. With two opening sequences, Julian Jarrold and David Lean encouraged the audience to feel sorry for Pip. Both coaches succeeded in manipulating the innocence and existence of Pip without mothers and fathers. In the 1999 edition, the lenses were shown to be very small with a desolate, desolate background compared to the vast wetlands in the surroundings. By displaying the Pip in the background, the small and perfect long-term effects of the lean application