The similarity between Antigone and A Doll's House Ibsen's A Doll's House is known as the first modern drama. It has been regarded as "revolutionary" because it destroyed several 'molds' that endure for centuries. Incredibly, many things regarded as "revolutionary" appeared in one of the first dramas of Sophocles' Antigone drama. Just by looking at the surface, you will quickly notice that these two plays are important. Because they avoid male social temptation.
Responsibility of Antigone and Individual It is not the responsibility of the nation and society to be able to see with the theme of Antigone 's doll house and doll house. Two ladies, Antigone, Nora and Antigone's A doll house, State and society, please follow their own conscience what to expect. Both plays focus on individual laws and national laws, dissatisfaction and obedience, and understanding of the conflict between themselves.
In dramatists Antigone and A Doll's House, the playwriter discusses the relationship between sexuality and the role in each role play. Sophocles' Antigone tracked a young girl who forbade the burial of his brother who fought with their town in recent war, in violation of the law enacted by King Crick. Kryon issued a command to execute her, but in the end he committed suicide. In the puppet shower, my wife, Henrik Ibsen nola, borrowed the loan. Meanwhile, women were unable to accept loans and tried to comfort the lenders who threatened to disclose their loans.
Doll's House and Antigone is a story of a young woman conflicting with social domination of traditional men. Anouilh 's Antigone and Ibsen' s doll house has a young heroine that fights male rivals and has family relations with them. Antigone collided with her uncle Creon in Antigone's novel, and Nora Helmer opposed her husband Torvald at Doll's house. With both dramas, men's opponents embody social and national values. Thebes ruler Kryon insisted on his commitment to his people. In a related sense, Tobird is an excellent bourgeois citizen, thoroughly socialized, and undoubtedly supports the ideology of the middle class society. He says, "From now on, happiness is not important, it is important to preserve the bit and pieces, the appearance" (Act III, 188), he is constantly monitoring Nora's behavior against social expectations.