A COLONIAL READING OF SHAKESPEARE’S THE TEMPEST

Abstract: Colonization and imperialism are important conversations that are interesting around the world.

Ideology of colonization and the concept of civilization and civilization. I thought of a new storm

Many critics of world play published in London due to colonization and civilized debate

The stage and depiction of colonization, and the existence and question of colonization

Discussion of the colonial era Shakespeare depicts the cultures of indigenous peoples of the new world in two vague ways.

Raise the ideology of the empire and cast doubts. This "other" dramaization helped the 16th and 16th

I will re-evaluate what they read and heard about these indigenous peoples, not being civilized. Shakespeare participated

Through contemporary rhetoric of drama media, the audience will help visualize the process

To conquer and colonize him to help the audience understand colonization, civilization,

And a new world. This dramatic medium allows viewers to challenge established stereotypes

Colonization, but he attempted to show two aspects of the problem and let the audience determine the next thing.

This is legal. The ambiguous expression of colonizers and colonizers encouraged colonizers.

The audience objectively examined the colonial debate. Key words: Shakespeare; Arashi; Theater; New World; colonization

Accelerate the colonization of their "others". As mentioned in colonial and colonial literature,

British culture contributes to the expansion of colonial areas and their cultural products

One of the empire's power culture works is poetry, theater, and literary work.

Another example is "Captain John Smith 's" Virginia Musk "(1624).

As Ariel said, the new world is "Bamuto" (I.ii.12) and Trinkuro's "still vix"

Mentioning the interests of British people against the indigenous peoples of the new world, "They do not fool.

"Others" which is an inseparable part of the discourse of the colonial era are also reflected in the process of this drama.

There are two literary works in the explanation of the scene. In Jourdian's work, the topography is described.

In parallel with the behavior of British settlers, occupy islands. Another meaning

People, Prospero felt superiority and forced them to serve his fears.

"Kalibam" seems to mean "Cannibar". This is a concept often said in British trips.

Due to the nature of nature's evil, Kariban is civilized and can not learn the culture of Europe.

And I promise his loyalty to Stefano: "I will kiss your feet, I swear that I am your subject - (II.ii. 31)

Andrew Gurr easily reflects the requirements of "Winter Story" and "Arashi". "In principle, the less the playwright's performance, the less his play will be .... Shakespeare The drama theater and business drama full advantage is that" Tempest ", Shakespeare is a neoclassical time And the unity of the place seems to be laughing in his own art in most cases because he is observing this) Gurr 1992: 191. Dependence on the unification of the show Really separated from the "winter story" area to Gurr, this paragraph summarized: "Because Arashi is a stage business, of course, Shakespeare's Prospero and art metaphor, We have not accepted the problem, but it caused a suspicion that Shakespeare's tongue was deeply embedded in his cheek of the last drama.I am curious that the last two sentences are strange I found out.

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Shakespeare's "storm" reflects the concept of colonialism and is clearly expressed through the relationship between colonists and local people. The re-contextualization of the drama in the post colonial context has raised concerns about Karaban's character, but he played a secondary role in the drama. Caribbean is the son of Sycorax, a resident of the island before Prospero arrives. Through Colonialism lenses, Kariban depicts indigenous peoples and prospero settlers who forced colonial rule in the Caribbean. The next Caliban presentation explains how Prospero catches islands. This island is my mother, my mother is Sycorax, you came from me