Gisch Jen's "Who is Irish" talks about the story of a 68-year-old Chinese immigrant and the struggle to accept other cultures different from herself. The hero lived in the United States for a while, but she also said that the Irish family of the son-in-law and other cultures and races such as the American values ​​that her daughter claimed when she raised the granddaughter of the hero I criticize. The hero judged that it is difficult to accept the American training method when caring for her granddaughter Sophie and decided to implement his own countermeasure. "Who's Irish" was first published by Vintage Publishers in June 2000. Author Gishjen has been praised by many critics as an Asian American writer with culture and tradition of the East Coast. As we all know, the process of immigration to the United States often leads to culture conflicts and many confusion. Gisch Jen's "Who is Irish" develops around a slow and painful process that people often experience after moving to another land. Gish Jen uses a rare fusion of Chinese and Irish culture to show off her view, and is very attractive. In "Who are the Irish people?" We explore some of the most important ways of modern social and cultural significance, and the direct and indirect influence of the process of transformation and adaptation of culture on people. "Lesson" by Toni Cade Bambara The article of Bi-ling Chen explains the "attractive" feature of Gish Jen's "Who is Irish" grandmother. In this article we are analyzing the humor and practical sensitivity of this character. This allows readers of most short stories to support her perspective. By establishing a strong sense of Chinese identity among grandmothers, Gish Jen prepares the reader for an easily accepted anabolic experience with first person. Emine Gecgil introduces the research on Lisa Loomer's The Waiting Room and its fetishism. In this article we will examine how sex physics works in verifying the central discourse of gender practice. The purpose of this paper is to highlight the methods used in alternative actions and abnormal ways to adapt or re-adapt to the image of the woman and to lose her autonomy to her body.

Gisch Jen's "Who is Irish" talks about the story of a 68-year-old Chinese immigrant and the struggle to accept other cultures different from herself. The hero lived in the United States for a while, but she also said that the Irish family of the son-in-law and other cultures and races such as the American values ​​that her daughter claimed when she raised the granddaughter of the hero I criticize. The hero judged that it is difficult to accept the American training method when caring for her granddaughter Sophie and decided to implement his own countermeasure. "Who's Irish" was first published by Vintage Publishers in June 2000. Author Gishjen has been praised by many critics as an Asian American writer with culture and tradition of the East Coast. As we all know, the process of immigration to the United States often leads to culture conflicts and many confusion. Gisch Jen's "Who is Irish" develops around a slow and painful process that people often experience after moving to another land. Gish Jen uses a rare fusion of Chinese and Irish culture to show off her view, and is very attractive. In "Who are the Irish people?" We explore some of the most important ways of modern social and cultural significance, and the direct and indirect influence of the process of transformation and adaptation of culture on people. "Lesson" by Toni Cade Bambara The article of Bi-ling Chen explains the "attractive" feature of Gish Jen's "Who is Irish" grandmother. In this article we are analyzing the humor and practical sensitivity of this character. This allows readers of most short stories to support her perspective. By establishing a strong sense of Chinese identity among grandmothers, Gish Jen prepares the reader for an easily accepted anabolic experience with first person. Emine Gecgil introduces the research on Lisa Loomer's The Waiting Room and its fetishism. In this article we will examine how sex physics works in verifying the central discourse of gender practice. The purpose of this paper is to highlight the methods used in alternative actions and abnormal ways to adapt or re-adapt to the image of the woman and to lose her autonomy to her body.