The History of Film
[2024-02-06 09:37:40]
The big change in the development of the movie is the linearity of the story. The history of this movie was over 100 years ago, and in the 1930s Hollywood had a classic story. The classic story emphasizes linearity and consistency. There, the character is centered on the target, and is consistent in personality and behavior. In the 1960s, Hollywood began to show changes, and Breathless (Jean-Luc Godard, 1960) broke the rule of editorial and narrative consistency by introducing a winning story.
As I said, there are advantages and disadvantages in sentence history and movie history, respectively. But it is important that the written history and the history of the movies are experienced in different ways. "Rosenstone R, 1988, p. 1173) stated Rosenstone," The most serious problem the historian has had on the screen in the past is derived from the nature and requirements of the visual media itself. " In addition, Rosenstone considers "historical movies should be based on their own representative rules, not based on the way it compares with written history" (Rosenstone R, 1995, p. 3). Critics point out that this film lacks the necessary historical information and historical details. Historians basically mention the lack of footnotes. However, these historian critics are trying to judge these historical films on inappropriate standards. The way audiences watch movies is an unrealistic analysis
Researchers say that there is no movie history, only movie history. But I think movie history will be more appropriately considered a group of cinematic history, as research involving film history involves asking a series of questions and looking for evidence to answer them during the discussion I will. Therefore, the main purpose of my research is to find the answer to the question "How is a film photo displayed?" What to do? What is the way it was developed? Situation of the film industry - production, distribution, exhibition - how will it affect people? How does time affect the change of the film industry?
This course introduces the history and theory of the movie. It focuses on media technology, industry and aesthetics, covering the history of the film from 1895 to the present. In addition, we will introduce the trends of important movie theory to students, from supervisor theory to psychoanalytic criticism, to the latest film philosophy and development into history. We pay close attention to the relationship between the American movie industry and the cinemas in other countries. And start with the earliest Thomas · Edison movie, Lumiére brothers and other media pioneers. We will also look at Hollywood classics, Italian neo-realism, French new wave, new German movies, New Hollywood, Bollywood, American big hit movies, new Asian films, and recent amorphous American movies. "By doing so, we will try to define and interrogate the national film concept.