With the progress of photography in the early 19th century, photographers have more opportunities; they can take what they think is appropriate, whether they are amateurs or professionals. For many different reasons, humans are often subject to initial silver salt photography and subsequent dry plates. Silver photographs have special emotions for people watching photos, but it is a common agreement to preserve and preserve the essence of loved ones even after the photo dies.
In the 20th century, art photography and documentary photographs were accepted by British art circles and gallery systems. In the US, there are a few photographers such as Alfred Stieglitz, Edward Steichen, John Szarkowski, F. Holland Day and Edward Weston have advertised photos as artworks throughout their lives. First, artist tries to imitate the style of painting. This type of movement is called painting and usually uses soft focus to create a dreamlike "romantic" appearance. In response to this, Weston, Ansel Adams and others formed the f / 64 group to advocate "direct photos". The photographs themselves are not imitating other things (very focused).
The aesthetic historical investigation of the landscape photographs from the 19th century to the early 20th century was first placed in the context of the importance of the documentary of John Szarkowski as an art documentary. He completed this at a revolutionary exhibition followed by a catalog created by the New York Museum of Modern Art (MoMa) in 1963 and the book "Photographer and the American landscape". At that time MoMa's famous photo curator Szarkowski looked at the aesthetics of the landscape photograph by observing the role of the photographer.
A series of views and experiences on the work of documentary photographers in the 20th century. These articles explore the personal and professional struggle of photographers and the ethical and practical complexity of documentary photographs and the right or responsibility to testify and use their work to achieve change How much is it? (Mary) An impressive storytelling card game that uses pictures that used amazing pictures in an amazingly beautiful package. The player mixes the deck and the game card and creates a story screen when laid out in a straight line. This can be changed and corrected by moving the card or putting a new card. Very clever design that allows you to connect together any card seamlessly and seamlessly. According to the image of a European fairy tale, this is a great game you can use with accompanying rules and improvisation. It is expected to expand this spring as well! (Andy)