1950’s Detective Pastiche - Original Writing

The 1950 criminal Pastiche - the first writing of rich death is 5:30 of a cold and wet cold afternoon. I am sitting in the office sucking a cigar. My blue suit is very comfortable. It was just cleaned up. This shirt is pure white and the tie is dark blue. I am awake and awake. This is the first time in a while. When a tall, creamy white woman comes in, I am about to depart. Lily like golden hair, wonderful body, cherry and blue eyes. She sat down and smoothed her red dress and strangely saw me like a cat watching her prey.

There is a wonderful series about pigs named Freddie who are doing various adventures. Walter Brooks wrote his series in the 1950s. If you can find one of them, they are amazing. Freddie became a detective, wrote a newspaper, went to school and played baseball. He travels to Florida and the Arctic.

In the 1920s, the authors proposed game rules and guidelines. SS Vander Inn developed "20 rules for writing detective story"; G. K Chesterton wrote "ideal detective story"; and strange writer Ronald Knox created "detective novel ten commandments" Another set of restrictions The key to the novel of the Golden Age is the concept of "fair competition" between the author and the reader. The author must provide the reader with sufficient clues to solve the mystery. In 1928, the adventure club was founded in the UK by Golden Age writer Anthony Berkeley. Members swore to test the club and vowed to comply with fair competition rules.

The romantic suspense is a contemporary look of early Gothic writing. This type developed with writers such as Mary Stewart and Victoria Holt in the 1950's. ... This type can be distinguished from other sentences. It is rare for laws (police) to be involved in actions, so this is not a story of a mysterious detective. It is also different from traditional suspense novels in that it also has slower and more personality interactions and psychological conflicts than fast violent acts of slow thriller pace.