17th Poets and drugs

The 17th century is famous for some of the most notorious influential literary movements. It brought too many famous poets and writers to break many social and literary boundaries. But with famous poets, there is a famous addiction. The specific weakness that many Western poets suffer is drug abuse. Especially in opium and alcohol excessive addiction, especially romantic era. Poets such as Thomas de Quincey, Percy Shelley, Samuel Coleridge, Charles Baudelaire, John Keats, etc are the most highly regarded by substance abuse.

Literature critic and poet Samuel Johnson first invented the term "metaphysical poetry" in his book "The British Best Poet's Life" (1779-1781). Johnson identified a group of 17th century British poets including John Dawn, George Herbert, Richard Krashow, Andrew Marvell and Henry Vaughn. He pointed out that the poet shared many common features, especially wit and creative ingenuity. Metaphysical poetry also shocks the reader and attempts to challenge; there is no doubt about the doubt. Poetry often mixes common words and knowledge paradoxes and panic. The result is very strange, less likely to be like a lover to a compass or a soul to a drop of dew. These strange comparisons are called "consignment"

First, the term "figurative poetry" refers to a specific period and a specific group of poets. In the UK of the 17th century, there was a group of poets who formed a formal group but was thought of as a metaphysical poet. Most lists have nine poets, John Don, George Herbert, Henry Vaughan, Edward Herbert, Thomas Karou, Richard Krashaw, Andrew Marvell, Richard Lovelace and Sir John Sackling I will. So what is a metaphysical poetry? The answer is actually in the composition of these works. What they have in common is that they contain a very conceptual metaphor. These metaphors are often fragile only when comparing one thing at a maximum, but there are times when the readers feel enlightenment. This kind of metaphor is called a metaphysical concept

A metaphysical poet is a loose group of English poetry of the 17th century English lyrics and is interested in metaphysical interests and general methods to study them Their work is characterized by figurative creativity It is attached. These poets do not have a formal affiliation relationship; most of them do not know or do not read each other. Their poems are influenced by the era, new science, and the collapse of the newly discovered autumn landscape of the 17th century.