"USFS 1919: The Ranger, the Cook, and a Hole in the Sky"

"USFS 1919: Rangers, chefs, and the cave in the cave" tells part of McLean 's summer in the 17th summer of 1919. Just like the first two people, he worked at the US Forest Department that summer, but this time it was West of Blodgett Canyon, Elk Summit in Idaho Province. It is approximately 34 miles (55 kilometers), within walking distance, near northwest of Hamilton, west of Montana, in the north of East Fork's Auck Creek, near White Sand Creek. [Five]

McLean worked at the US Forestry Bureau, a very remote location of the Selway - Bitterroot Wilderness section of Serve National Forest (now Clearwater National Forest). Chisels and explosives, full horses and scorpions stand alone on the 7,424 ft (2,263 m) cemetery peak and rope phone line. [Five]

Elk Summit Work Center: 46 ° 19'36 "N 114 ° 38'51" W / 46.32667 ° N 114.64750 ° W / 46.32667; -114.64750 (46.3265874, -114.6476053), [6] 5,748 feet (1,752 m) above sea level. The work center is at the intersection of Horse Creek and Hoodoo Creek in the north-northwest of Hoodoo Mountain and north-northeast of Hoodoo Lake.

Norman McLean's novel "USFS 1919: The Rangers, Chefs, and the Cave in the Cave", the last story through which some super beautiful verses that were expected during World War I continued. The character lives in a tent and is climbing a tree looking for smoke from the border of Idaho - Montana. McLean has written many times. "There are not so many physical and spiritual ways as a watcher, which is primarily the soul." But eventually this novelty became an irregular talk about the group. Forestry officials are planning to go back to the city and play cards at the end of the fire season.

After reading USFS 1919: Ranger, Cook, and the empty cave, Norman McLean, the first thing I would like to mention is that without the authors' uniqueness this story can not attract my attention. When I first started reading this article, I remember thinking that this story would be very long. The author explained that the horse had no saddle pain and when I explained that "there is another wet shark," the first paragraph was on page 131. I explained that narrator is beautiful long. Rugged terrain and horses are kept healthy and horses are dismantled. This is the first visual effect that inspired me. I have never thought about horse pressure or painful beauty of saddle but I can evaluate this work from this point and connect it.

I know that some of the enthusiasm based on biography is not cool - it looks so arrogant - but I feel like I've pursued my life with the footprints of Norman McLean. Like him, I was born in Iowa and left at a young age; like him, I spent part of my early life in Missoula, Montana. Just like him, I am working on the west side as "Telescope", "USFS 1919: The Ranger, Cook and the sky in the sky" using "mountains far beyond the mountain in the mountains" . "According to his instructions I caught the river and the stream, which shimmes with the stream of squid, as I am in New York and New Mexico, McLean worked hard all his life to work in Chicago His love for Montana has been harmonized with his love for Montana.