"The Veil" from Marjane Satrapi's Persepolis

It is time to review or reread Marjane Satrapi 's dynamic memoir, "Complete Persepolis" about the childhood of the Islamic Revolution, in everything that happened in Iran over the past few weeks. "San Francisco Chronicle" called it "Glory ... Iran, Islamic fundamentalism and primer of the Middle East".

In Persepolis, Marjane Satrapi lives in Iran with the main character Marjane asked to wear a veil in fear of being punished and only her face is revealed. The veil you must wear is depicted as an insult to the rights of women. But in Sumayyah Hussein's article "Why are we wearing Haijab?" Sumayya Syed says "Let's release it from the media" (p 118). A woman interviewed in the article talks about these advantages

Marjane (Marji) Satrapi's graphic novel "Persianpolis" uses words and pictures to show the story of a young Iranian girl caught up in a revolutionary turmoil. The veil or scarf needed by women and girls can be regarded as a symbol of political and social change that changes the hero's future. Satrap's graphic novel is based on her personal experience as a child abandoning Shah, a child during the Iranian Revolution and a young lady. After Shah's power was lifted, Iran established the theocracy (religious government). Many people, including Marzi's family, feel uneasy about subsequent political and social changes. For Marzi and her friends, veil (scarf) became a symbol of their dissatisfaction and fear.

How did Satrapi respond to the Islamic Revolutionary Novel Persepolis on the story of a young girl, Marjane Satrapi, raised in Iran during the Islamic Revolution? In my article, the writer Marjane Satrapi explores how to tell his growing story through photos during the Islamic Revolution Satrapi uses pictures to portray her life as a child and her teens Become adult through, and finally she shows her way of living

Persepolis written by Marjane Satrapi Persepolis Marjane Satrapi is an autobiographer of a girl in the 1969 Iranian Revolution era. As a graphic novel, Satrapi is drawn in cartoons in an easy way with her words and images. This is very effective in showing her view on Iran in the revolution. Black and white photographs depict scenes of intense violence, emotions and imagination. "The super naive style of Satrapi is very powerful, it conveys confusion and fear convincingly through premature adolescent eyes" (Press, www.villiagevoice.com / books / 0319.press.43844.10.html, 2) Image that looks like a child