“The Martyrdom of St. Matthew” - Painting Analysis

I chose "the lamp of St. Matthew" as a best example of the Baroque era. Caravaggio's picture clearly understands the reasons for my decision. Here, Caravaggio explains the complexity, flow, and contrast using the entire canvas. This picture represents the light source coming from the left side of the plane. The brightest light is concentrated directly on Matthew's executioner. He plans to attack Matthew with the weapons of the hands of ancient Balkans. Caravaggio skillfully explained how to use lighting by dropping reliable shadows.

St. Matthew's martyrdom was the second largest picture in anti-religious reform. The story says Matthew was sentenced to death when he stood on the altar. The king of Ethiopia sent him a ruling as he expressed his objection to the fact that the king insulted his niece and the prostitute was also a nun. It is said that paintings were arranged to be included in paintings. It again imagines the cruelty of the corruption stratum to the public. It is hoped that people will be brought back to the church to show how the church has been criticized about correctness and moral justice.

I chose "the lamp of St. Matthew" as a best example of the Baroque era. Caravaggio's picture clearly understands the reasons for my decision. Here, Caravaggio explains the complexity, flow, and contrast using the entire canvas. This picture represents the light source coming from the left side of the plane. The brightest light is concentrated directly on Matthew's executioner. He plans to attack Matthew with the weapons of the hands of ancient Balkans. Caravaggio skillfully explained how to use lighting by dropping reliable shadows.

Caravaggio's first public committee was "the martyr of St. Matthew". This is also his first "Dell'Otro". In this picture, the face of the person who ran away on the left side of the background shows his attack on the barber 's apprenticeship. There is no negative confession. When asking in time, the barber completely explained the features of Caravaggio himself. The left face is now considered a self-portrait of frowning Dell'Otro's face, and in 1610 he completed St. Ursula's Martyrdom, the final work, and was also a self-portrait. "The face of Caravaggio himself appears in the most right silhouette as if he is about to see a tragic event, his mouth opened with a natural pose of surprise and fear (Dell'Otro)" Compassion A mind expression with her is fixed to the scorpion's hand instead of a martyr