‘The Art of Editing in The Good, the Bad, and the Ugly’ Video Commentary

Max Tohline's video article explains in detail the conflict between Sergio Leon's "good and evil" and "ugly" half-and-a-half minutes. It covered 65 shots of this pair, during which no one said that all three protagonists did not move at all. He points out that the protagonist of this sequence is the editor, and from a certain point, when the movie "does not tell the story at all", the movie is the best.

This is a truly and extraordinary breakdown of this short but important scene. Tohline introduces how editors develop and operate in turn in three different ways. It visualizes the idea of ​​the hero and reveals a mathematical model that cooperates with music and constructs a rhythm of near hypnotism. This article shows that "good", "bad", "ugly" indicates that Leone is not only saying that Leone is pleased with Western adventure - he still is trying out the media of the movie itself I will. At the heart of many so-called "Western films in Italy" is a genuine artistic motive and is contained in box office-friendly stories filled with box office and adventure. In this article I will explain how Leone can overcome this difficult balance, especially the advantages of not having a dramatic, deeply and socially sensitive script.

As a video article, this will work as a positive criticism. This is a wonderful build - the enormous time effort you have to take is clearly visible. This article explores the university level film research classes, especially the type film and editing techniques, as it explores the lens, eye liner matching, and how music adapts to this special effect. I asked Tohline about important arguments. He stated that this movie is the best without storytelling, but in his article I explained why he kept close to three minutes without including dialogue and action. To communicate and improve the story, please use only film production techniques. Most of his analysis proves that the most important thing in the movie is its technical importance, but it simply does not rely on its script but develops a story using unique film technology It is time to do. There is a disagreement between his abstraction, artistic insight, and actual analysis work. It shows that the motivation here is to explore and praise the sequence and its editing skills rather than doing it more Large Statement Leone captures the possibilities of movies and movies. For our video papers course these critiques may be more important: this video is not worth seeing. It is beautifully coupled and very informative, but it does not attract or irritate the audience. Some of the best video reviews such as "Carnal Locomotive" and "Every Frame a Painting" are profound, fun, or three combinations that stimulate thinking. The advantage of doing this is that viewers can better see their opinions. The video itself is an interesting medium; video articles should use entertainment value as a resource to attract viewers.

On the video team, one student is in front of the camera, and another student wants to record and edit the video. During our editing process, students were able to record amazing video reviews about excursion highlights, but the time to upload them to YouTube nor permission, the video files themselves become very heavy and ThingLink Could not upload to. Recognizing that this did not work within our time frame, students were able to find some historical videos about San Francisco 49ers (Levi Stadium's home team).

Max Tohline's video article explains in detail the conflict between Sergio Leon's "good and evil" and "ugly" half-and-a-half minutes. It covered 65 shots of this pair, during which no one said that all three protagonists did not move at all. He points out that the protagonist of this sequence is the editor, and from a certain point, when the movie "does not tell the story at all", the movie is the best. This is actually a very thorough categorization of short and important scenarios. Tohline introduces how editors develop and operate in turn in three different ways. It visualizes the idea of ​​the hero and reveals a mathematical model that cooperates with music and constructs a rhythm of near hypnotism. This article shows that among The Good, The Bad, Ugly, Leone is not only saying that Leone is pleased with the Western adventure - he is experimenting with the media of the movie itself